This present work had it's origin in two series of twelve public lectures on music as part of the general culture, given at Harvard University between 1934 and 1935.
Described by music critic Alex Ross as "e;the most original musical thinker of our time"e; and having received innumerable accolades in a career spanning over fifty years, composer Steve Reich is considered by many to be America's greatest contemporary composer.
Howard Smither has written the first definitive work on the history of the oratorio since Arnold Schering published his Geschichte des Oratoriums in 1911.
2022 CHOICE Outstanding Academic Title WinnerDrawing on a wealth of unexplored sources, this biography offers the first comprehensive critical reappraisal of the life and works of Nikolay Myaskovsky.
Described in the Radio Times (27 July 2015) as 'A remarkable, unique institution lying at the heart of British life', the Three Choirs Festival celebrated its three-hundred-year anniversary in 2015.
Capturing the fraught moment in popular music history as reflected in and anticipated by Since I Left You (2000), the debut studio album from electronic music group The Avalanches.
Triple Entendre discusses the rise and spread of background music in contexts as diverse as office workplaces, shopping malls, and musical performance.
When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance.
If you drive into any American city with the car stereo blasting, you'll undoubtedly find radio stations representing R&B/hip-hop, country, Top 40, adult contemporary, rock, and Latin, each playing hit after hit within that musical format.
Dreiser's captivating portraits of turn-of-the-century America's famous figures In this volume, liberally seasoned with period illustrations, Yoshinobu Hakutani has collected and annotated a rich selection of Theodore Dreiser's pre-fame writings on the cultural milieu of his day.
Howard Bloom-called "e;the greatest press agent that rock and roll has ever known"e; by Derek Sutton, the former manager of Styx, Ten Years After, and Jethro Tull-is a science nerd who knew nothing about popular music.
The turn of the millennium has heralded an outgrowth of culture that demonstrates an awareness of the ephemeral nature of history and the complexity underpinning the relationship between location and the past.
From recent decades' digitization have emerged a myriad of techniques for mapping musical life, identifying patterns in sound or musico-cultural practices, and compiling labels, names, tags, and classes on an unprecedented scale.
Master interviewer Balint Andras Varga poses three probing questions to renowned contemporary composers about their work, and carefully renders their answers in their own words.
The relationship between Romanticism and film remains one of the most neglected topics in film theory and history, with analysis often focusing on the proto-cinematic significance of Richard Wagner's music-dramas.
A devout Catholic, a visionary-and some say prophetic-writer, Flannery O'Connor (1925-1964) has gained a growing presence in contemporary popular culture.
American composer Charles Ives (1874-1954) has gone from being a virtual unknown to become one of the most respected and lauded composers in American music.
For his 2007 critically acclaimed 33 1/3 series title, Let's Talk About Love, Carl Wilson went on a quest to find his inner Celine Dion fan and explore how we define ourselves by what we call good and bad, what we love and what we hate.
Approaches the topic of classical music in the GDR from an interdisciplinary perspective, questioning the assumption that classical music functioned purely as an ideological support for the state.