Art music, orchestral and formal music

The articles here deal with liturgical music.

Charles Frederick Frantz provides a quantitative and qualitative analysis of Debussy's music through the lens of Bergson's philosophical perspective of duree, revealing his "e;revolution"e; in musical time.

Maurice Ravel, der Meister der Klangfarben, hat die Musik des 20.

Keine ausführliche Beschreibung für "Altkaschubisches Gesangbuch" verfügbar.

Carl Loewe, oft als "Schubert des Nordens" bezeichnet, hat die Kunst der Ballade im 19.

Originally published in 1927, this illuminating study concerns three people, about two of whom much has already been written.

This book contains sixteen essays on Venetian music in its last great period, stretching from the second half of the 17th century to the fall of the Republic in 1797.

The essays in this volume are concerned with song repertories and performance practice in 15th-century Europe.

When it was originally published in 1967, this study of J.

Based on previously unpublished documents, Frank D'Accone sets the background for the musical efflorescence that occurred in Florence in the later 15th century and the emergence in the early 16th century of a new Florentine school of composers.

Professor Slim deals here with the several roles that music can play in the artworks of the Renaissance, looking in particular at Italian painting of the 16th century.

Musical scores - like literature, poetry, and technical manuals - are documents.

Michele Carafa (1787–1872) war ein außergewöhnlicher Komponist, dessen Werke zu seiner Zeit gefeiert wurden, heute jedoch weitgehend in Vergessenheit geraten sind.

Manchester Beethoven studies presents ten original chapters by scholars with close ties to the University of Manchester.

Originally published in 1927, this illuminating study concerns three people, about two of whom much has already been written.

When it was originally published in 1967, this study of J.

Based on his decades of experience conducting these works, Leonard Slatkin guides readers through eight of the most beloved orchestral pieces of the nineteenth century:* Ludwig van Beethoven's Symphony No.

Antonio Salieri – ein Name, der bis heute untrennbar mit Wolfgang Amadeus Mozart ver-bunden ist, oft umgeben von Mythen und Missverständnissen.

The essays in this volume are concerned with song repertories and performance practice in 15th-century Europe.

Ferdinand Ries – ein Name, der oft im Schatten seines berühmten Lehrers Ludwig van Beethoven steht, doch dessen Leben und Werk einen faszinierenden Blick auf eine der spannendsten Epochen der Musikgeschichte bietet.

The majority of these collected essays date from 1992 onwards, three of them having been specially expanded for this volume.

The thrust of these five volumes is contained in their title, London Opera Observ'd.

This study overturns twentieth-century thinking about pasticcio opera.

Based on previously unpublished documents, Frank D'Accone sets the background for the musical efflorescence that occurred in Florence in the later 15th century and the emergence in the early 16th century of a new Florentine school of composers.

This book explores the works and influence of the eighteenth-century British composer Charles Avison.

Originally published in 1924, and authored by a renowned pianist and musicologist, this book is a comprehensive study of the history and evolution of pianoforte music from its origins in the early 18th century to modern times.

This book explores the crafts and performing arts of South Asia through a focus on labour and livelihood.

Although he is often identified as a Monteverdi scholar (Approaches to Monteverdi: Aesthetic, Psychological, Analytical and Historical Studies, published in the Variorum series in 2013), the majority of Jeffrey Kurtzman's work has focused on other sixteenth- and seventeenth-century Italian sacred music.

Die Habsburger waren nicht nur eine der mächtigsten Dynastien Europas, sondern auch die maßgeblichen Förderer der klassischen Musik.