Art music, orchestral and formal music

During the 1950s and 1960s, Austro-German scholars made decisive advances in developing concepts to account for harmonic processes in late medieval music.

During the 1950s and 1960s, Austro-German scholars made decisive advances in developing concepts to account for harmonic processes in late medieval music.

This volume brings together 79 sacred tunes by two Connecticut composers: Eliakim Doolittle, who wrote psalm and fuging tunes in an unpretentious, familiar idiom, and Timothy Olmsted, who wrote psalm tunes in a more sophisticated, florid musical style.

This volume brings together 79 sacred tunes by two Connecticut composers: Eliakim Doolittle, who wrote psalm and fuging tunes in an unpretentious, familiar idiom, and Timothy Olmsted, who wrote psalm tunes in a more sophisticated, florid musical style.

Daniel Belknap was a farmer, mechanic, and singing-master in Framingham, Massachusetts, who compiled four sacred and one secular tunebooks.

Daniel Belknap was a farmer, mechanic, and singing-master in Framingham, Massachusetts, who compiled four sacred and one secular tunebooks.

This series presents the music of early American composers of sacred music psalmody, as it was called in collected critical editions.

This series presents the music of early American composers of sacred music psalmody, as it was called in collected critical editions.

Samuel Babcock was an active Boston-area composer who made a significant contribution to the repertory of American psalmody.

Samuel Babcock was an active Boston-area composer who made a significant contribution to the repertory of American psalmody.

First Published in 1996.

First Published in 1996.

Jacob French, a student of William Billings, was one of the most talented postrevolutionary composers of Protestant sacred music in New England.

Jacob French, a student of William Billings, was one of the most talented postrevolutionary composers of Protestant sacred music in New England.

First Published in 1996.

First Published in 1996.

The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.

The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.

First Published in 1998.

First Published in 1998.

This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance.

This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance.

The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.

The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.

First Published in 1996.

The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.

The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.

The purpose of this series is to provide a large repertoiry of 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.

The purpose of this series is to provide a large repertoiry of 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.

The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.

The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.

First Published in 1996.

First Published in 1996.

First Published in 1996.

Part of the Music of the NEW AMERICAN NATION Sacred Music From 1780 To 1820 series.

Part of the Music of the NEW AMERICAN NATION Sacred Music From 1780 To 1820 series.

First Published in 1996.

First Published in 1996.

The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.

The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.

The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.

The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.

This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance.

This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance.

This book is the first extensive guide to the life, music, and writings of Carlos Ch vez (1899-1978), Mexico's most influential musician of the 20th century.

This book is the first extensive guide to the life, music, and writings of Carlos Ch vez (1899-1978), Mexico's most influential musician of the 20th century.

Scholarly recognition of Giacomo Puccini's achievements as a musical dramatist has been growing steadily for more than 75 years.

Scholarly recognition of Giacomo Puccini's achievements as a musical dramatist has been growing steadily for more than 75 years.

A timely addition to Routledge's Criticism and Analysis of Early Music series, this collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music, addressing how and why borrowing was used, the significance of borrowing, the techniques of borrowing, and its recognizable features.

A timely addition to Routledge's Criticism and Analysis of Early Music series, this collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music, addressing how and why borrowing was used, the significance of borrowing, the techniques of borrowing, and its recognizable features.