During the 1950s and 1960s, Austro-German scholars made decisive advances in developing concepts to account for harmonic processes in late medieval music.
During the 1950s and 1960s, Austro-German scholars made decisive advances in developing concepts to account for harmonic processes in late medieval music.
This volume brings together 79 sacred tunes by two Connecticut composers: Eliakim Doolittle, who wrote psalm and fuging tunes in an unpretentious, familiar idiom, and Timothy Olmsted, who wrote psalm tunes in a more sophisticated, florid musical style.
This volume brings together 79 sacred tunes by two Connecticut composers: Eliakim Doolittle, who wrote psalm and fuging tunes in an unpretentious, familiar idiom, and Timothy Olmsted, who wrote psalm tunes in a more sophisticated, florid musical style.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance.
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertoiry of 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertoiry of 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
The purpose of this series is to provide a large repertory 17th century Italian sacred music in clear modern editions that are both practical and faithful to the original sources.
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance.
This volume is part of a series of 25 full-score volumes of 17th-century Italian sacred music, a repertoire that has largely been unavailable for study or performance.
This book is the first extensive guide to the life, music, and writings of Carlos Ch vez (1899-1978), Mexico's most influential musician of the 20th century.
This book is the first extensive guide to the life, music, and writings of Carlos Ch vez (1899-1978), Mexico's most influential musician of the 20th century.
A timely addition to Routledge's Criticism and Analysis of Early Music series, this collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music, addressing how and why borrowing was used, the significance of borrowing, the techniques of borrowing, and its recognizable features.
A timely addition to Routledge's Criticism and Analysis of Early Music series, this collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music, addressing how and why borrowing was used, the significance of borrowing, the techniques of borrowing, and its recognizable features.