The appearance of the solo voice in church music in 1602, in Lodovico da Viadana's Cento concerti ecclesiastici, initiated a development that would soon parallel secular solo song.
The appearance of the solo voice in church music in 1602, in Lodovico da Viadana's Cento concerti ecclesiastici, initiated a development that would soon parallel secular solo song.
The Routledge Handbook to Spanish Film Music provides a significant contribution to the research and history of Spanish film music, exploring the interdependence and ways in which discourses of sound and vision are constructed dialogically in Spanish cinema, with contributions from leading international researchers from Spain, the USA, the UK, France and Germany.
The original essays in this collection chronicle the transformation of Arnold Schoenberg's works from music as pure art to music as a vehicle of religious and political ideas, during the first half of the twentieth century.
The original essays in this collection chronicle the transformation of Arnold Schoenberg's works from music as pure art to music as a vehicle of religious and political ideas, during the first half of the twentieth century.
This is the first modern edition of the collected works of Supply Belcher, Maine's most celebrated early composer, who was known in his day as the Handel of Maine.
This is the first modern edition of the collected works of Supply Belcher, Maine's most celebrated early composer, who was known in his day as the Handel of Maine.
Classics of seventeenth-century Italian sacred music set in modern notation, this third part of Vesper and Compline Music for Multiple Choirs features works by Giacomo Giacobbi, Viriglio Mazzochi, Tarquinio Merula and Francesco Soriano.
Classics of seventeenth-century Italian sacred music set in modern notation, this third part of Vesper and Compline Music for Multiple Choirs features works by Giacomo Giacobbi, Viriglio Mazzochi, Tarquinio Merula and Francesco Soriano.
During the 1950s and 1960s, Austro-German scholars made decisive advances in developing concepts to account for harmonic processes in late medieval music.
During the 1950s and 1960s, Austro-German scholars made decisive advances in developing concepts to account for harmonic processes in late medieval music.
This volume brings together 79 sacred tunes by two Connecticut composers: Eliakim Doolittle, who wrote psalm and fuging tunes in an unpretentious, familiar idiom, and Timothy Olmsted, who wrote psalm tunes in a more sophisticated, florid musical style.
This volume brings together 79 sacred tunes by two Connecticut composers: Eliakim Doolittle, who wrote psalm and fuging tunes in an unpretentious, familiar idiom, and Timothy Olmsted, who wrote psalm tunes in a more sophisticated, florid musical style.
