First Nations, Inuit, and Metis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds.
Glenn Gould (1932-1982) was a giant of twentieth-century classical music, but one whose eccentricities have sometimes obscured the moral seriousness of his approach to art.
Glenn Gould (1932-1982) was a giant of twentieth-century classical music, but one whose eccentricities have sometimes obscured the moral seriousness of his approach to art.
Based on years of detailed and extensive interviews, and supplemented by a wide range of archival material, Growing with Canada showcases the men and women who came to Canada and the roles they played in developing the country's musical culture.
Kwakwaka'wakw welcome songs, an aria from Joseph Quesnel's 1808 opera Lucas et Cecile, rubbaboos (a combination of elements from First Peoples, French, and English music), the Tin Pan Alley hits of Shelton Brooks, and the contemporary work of Claude Vivier and Blue Rodeo all dance together in Canada's rich musical heritage.
McGill University's Faculty of Music - now the Schulich School - has been a centre of new music in Canada for decades, helping to shape contemporary composition, electro-acoustic research, performance, and sound recording.
In the first full-length biography of one of Canada's most gifted and influential composers, Pamela Jones draws from extensive interviews with composers, performers, students, friends, and family members.
Based on years of detailed and extensive interviews, and supplemented by a wide range of archival material, Growing with Canada showcases the men and women who came to Canada and the roles they played in developing the country's musical culture.
McGill University's Faculty of Music - now the Schulich School - has been a centre of new music in Canada for decades, helping to shape contemporary composition, electro-acoustic research, performance, and sound recording.
Kwakwaka'wakw welcome songs, an aria from Joseph Quesnel's 1808 opera Lucas et Cecile, rubbaboos (a combination of elements from First Peoples, French, and English music), the Tin Pan Alley hits of Shelton Brooks, and the contemporary work of Claude Vivier and Blue Rodeo all dance together in Canada's rich musical heritage.
In January 1933, widowed Canadian psychiatrist Charles Flemming traveled to Rome to deliver a paper at an international psychiatric meeting and to further research the career of the eccentric Ukranian pianist, Vladimir de Pachmann, for a biography he has always wanted to write.
She traces his musical roots, piano studies, repertoire, and concert career through his correspondence with family and friends and his own and his contemporaries' memoirs, using material never before available in English.
Istvan Anhalt, born into a Jewish family in Budapest in 1919, studied with Zoltan Kodaly before being conscripted into a forced labour camp during World War II.
In the first full-length biography of one of Canada's most gifted and influential composers, Pamela Jones draws from extensive interviews with composers, performers, students, friends, and family members.
This book includes biographical information on Carlos Prieto, his contributions to music, as well as a detailed catalog of 72 pieces commissioned and/or dedicated to him.
In January 1933, widowed Canadian psychiatrist Charles Flemming traveled to Rome to deliver a paper at an international psychiatric meeting and to further research the career of the eccentric Ukranian pianist, Vladimir de Pachmann, for a biography he has always wanted to write.
The Routledge Handbook to Metal Music Composition: Evolution of Structure, Expression, and Production examines metal music composition as a distinct practice that combines a complex array of formal musical, expressive, and technological elements.
Programming the Absolute discusses the notorious opposition between absolute and program music as a true dialectic that lies at the heart of nineteenth-century German music.
Again available in paperback, this definitive work on the genius of Domenico Scarlatti (1685-1757) is the result of twelve years of devoted effort by America's foremost harpsichordist and one of the principal authorities on eighteenth-century harpsichord music.
Bringing together reception history, music analysis and criticism, the history of music theory, and the philosophy of music, Beethoven Hero explores the nature and persistence of Beethoven's heroic style.
Ornaments play an enormous role in the music of the seventeenth and eighteenth centuries, and ambiguities in their notation (as well as their frequent omission in the score) have left doubt as to how composers intended them to be interpreted.
The beloved and iconic singer-songwriter and three-time Grammy winner opens up about her traumatic childhood in the Deep South, her years of being overlooked in the music industry, and the stories that inspired her enduring songs.
Conversations with Igor Stravinsky is the first of the celebrated series of conversation books in which Stravinsky, prompted by Robert Craft, reviewed his long and remarkable life.
'Anyone with the smallest interest in composition - not just concertos but novels, buildings, lives, you name it, should read this absorbing, spiky, dazzling book.
Re-issued to coincide with the centenary of Messiaen's birth, The Messiaen Companion was the first major study to appear after the composer's death in April 1992.
Published to coincide with Rostropovich's 80th birthday celebrationsMstislav Rostropovich, internationally recognised as one of the world's finest cellists and musicians, has always maintained that teaching is an important responsibility for great artists.
This "e;monumental"e; portrait of the man, his music, and the world in which he lived is "e;a truly remarkable biography"e; (The Christian Science Monitor).
Stravinsky in the Americas explores the ';pre-Craft' period of Igor Stravinsky's life, from when he first landed on American shores in 1925 to the end of World War II in 1945.
Where previous accounts of the Renaissance have not fully acknowledged the role that music played in this decisive period of cultural history, Laurenz Lutteken merges historical music analysis with the analysis of the other arts to provide a richer context for the emergence and evolution of creative cultures across civilizations.
The name Giuseppe Verdi conjures images of Italians singing opera in the streets and bursting into song at political protests or when facing the firing squad.
In this innovative book, Gundula Kreuzer argues for the foundational role of technologies in the conception, production, and study of nineteenth-century opera.
