"Der zurzeit aufregendste Operndirigent"(Münchner Merkur)René Jacobs gehört zu den renommiertesten Dirigenten der Oper zwischen Monteverdi und Mozart – Werken, die er sowohl an den zentralen Opernhäusern in Europa realisiert als auch auf dem CD-Markt in Referenzeinspielungen präsentiert.
The symphony retained its primacy as the most prestigious large-scale orchestral form throughout the first half of the twentieth century, particularly in Britain, Russia and the United States.
A leading cultural theorist and musicologist opens up new possibilities for understanding mainstream Western art music-the "e;classical"e; music composed between the eighteenth and early twentieth centuries that is, for many, losing both its prestige and its appeal.
Music, Art and Diplomacy shows how a vibrant field of cultural exchange between East and West was taking place during the Cold War, which contrasts with the orthodox understanding of two divided and antithetical blocs.
Extending the critical discussion which has focused on the hymns of Isaac Watts as an influence on Emily Dickinson's poetry, this study brings to bear the hymnody of Dickinson's female forbears and contemporaries and considers Isaac Watts's position as a Dissenter for a fuller understanding of Dickinson's engagement with hymn culture.
Veteran music critic David Hurwitz provides an accessible, comprehensive, and fresh survey of Beethoven's symphonies, overtures, concertos, theatrical music, his single ballet and other music for the dance, and several short pieces worth getting to know.
The Oratorio in the classical Era is the third volume of Howard Smither's monumental History of the Oratorio, continuing his synthesis and critical appraisal of the oratorio.
Charles Frederick Frantz provides a quantitative and qualitative analysis of Debussy's music through the lens of Bergson's philosophical perspective of duree, revealing his "e;revolution"e; in musical time.
Creative practice in music, particularly in traditional concert culture, is commonly understood in terms of a rather stark division of labour between composer and performer.
Dancing Women: Choreographing Corporeal Histories of Hindi Cinema, an ambitious study of two of South Asia's most popular cultural forms cinema and dance historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema.
The Oxford Handbook of Musical Repatriation is a significant edited volume that critically explores issues surrounding musical repatriation, chiefly of recordings from audiovisual archives.
Weida Wang explores how Western classical music (WCM) has become increasingly popular in China, framing the industry as a complex entity intricately embedded within China's political landscape, cultural economy, and cultural industries.
In this first comprehensive examination of the music of the most prolific Bach son, David Schulenberg offers new perspectives on the career, style, and originality of Carl Philipp Emanuel Bach.
Thought and Play in Musical Rhythm offers new understandings of musical rhythm through the analysis and comparison of diverse repertoires, performance practices, and theories as formulated and transmitted in speech or writing.
Studies in the history of French nineteenth-century stage music have blossomed in the last decade, encouraging a revision of the view of the primacy of Austro-German music during the period and rebalancing the scholarly field away from instrumental music (key to the Austro-German hegemony) and towards music for the stage.
An inspiring collection of poems, meditations, and lyrics by one of the world's most revered musical legends Bob Marley's music defined a movement and forever changed a nation.
Unlike previous anthologizing examinations of women and musical composition, this book concentrates on the reasons why there have been, and continue to be, so few women composers.