This book investigates two areas in which the appreciation of sonic creativity can be easily acquired across diverse cultures, ages and interests: the music of sounds - making music with any sounds, part of today's sampling culture and the music of things - and the creation of instruments using existent materials (another type of sampling?
THE PRODIGY have sold 25 million records and single-handedly reinvented the crossover between dance and rock music, with legendary songs such as 'Firestarter', 'Omen' and 'Breathe'.
Elektroakustische Musik hat auch vor der DDR nicht Halt gemacht: Es wurden westliche Werke rezipiert und auch, wenn es erst ab Mitte der 80er Jahre geeignete Studios in der DDR gab, haben einige Komponisten kreative Möglichkeiten gefunden, sich mit elektroakustischer Klangerzeugung und -bearbeitung zu beschäftigen.
Innovation in Music: Technology and Creativity is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals.
Innovation in Music: Technology and Creativity is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals.
Bart van der Heide plädiert mit dieser Publikation dafür, dass Techno-Musik nicht nur als ekstatisches sowie kollektives Erlebnis fungieren, sondern auch als Plattform für gesellschaftskritische Diskurse dienen kann.
Discover the Rhythms of Serenity: Dive Into the Heart of the Lofi MovementIn the bustling rhythm of modern life, there exists a sound, a movement, quietly revolutionizing the way we unwind, study, and connect.
Discover the Rhythms of Serenity: Dive Into the Heart of the Lofi MovementIn the bustling rhythm of modern life, there exists a sound, a movement, quietly revolutionizing the way we unwind, study, and connect.
Bringing together a diverse group of world leading professionals across Post-Production Film Sound and Electroacoustic Music, Art of Sound explores the creative principles that underpin how sonic practitioners act to compose, tell stories, make us feel, and communicate via sound.
Bringing together a diverse group of world leading professionals across Post-Production Film Sound and Electroacoustic Music, Art of Sound explores the creative principles that underpin how sonic practitioners act to compose, tell stories, make us feel, and communicate via sound.
The Python Audio Cookbook offers an introduction to Python for sound and multimedia applications, with chapters that cover writing your first Python programs, controlling Pyo with physical computing, and writing your own GUI, among many other topics.
This book examines the performance strategies used by contemporary Iranian artists and activists to reimagine "e;Iranian-ness"e; in the context of Iran's local, regional, and global position.
This book examines the performance strategies used by contemporary Iranian artists and activists to reimagine "e;Iranian-ness"e; in the context of Iran's local, regional, and global position.
Rave may be the middle word in travel, but when raving reporter Kirk Field created the world's first holiday company catering exclusively to clubbers, the world threw everything it could at him: 9/11, volcanic ash clouds, suspicious customs officers, avalanches, North Sea storms, pandemics, fraudulent accountants, and the ghost of Michael Jackson.
'An excellent history of UK dance culture' - The Sunday Times'Engrossing history' - The ObserverFrom the illicit reggae blues dances and acid-rock free festivals of the 1970s, through the ecstasy-fuelled Second Summer of Love in 1988 to the increasingly corporate dance music culture of the post-Covid era, Party Lines is a groundbreaking new history of UK dance music from journalist and filmmaker Ed Gillett, exploring its pivotal role in the social, political and economic shifts on which modern Britain has been built.
Bart van der Heide plädiert mit dieser Publikation dafür, dass Techno-Musik nicht nur als ekstatisches sowie kollektives Erlebnis fungieren, sondern auch als Plattform für gesellschaftskritische Diskurse dienen kann.
Synth-Pop (kurz für Synthesizer-Pop; auch Techno-Pop genannt) ist ein Subgenre der New-Wave-Musik, das in den späten 1970er Jahren bekannt wurde und in dem der Synthesizer das dominierende Musikinstrument ist.
Sounding Emerging Media details a practice-based approach to sonic art and electroacoustic composition, drawing on methodologies inspired by the production of electronic literature, and game development.
Sounding Emerging Media details a practice-based approach to sonic art and electroacoustic composition, drawing on methodologies inspired by the production of electronic literature, and game development.
Dance music has seen an unprecedented explosion in the 21st century as a stampede of subgenres, such as dance pop and EDM (electronic dance music), have come to define the pop music scene worldwide.
Electronics Concepts, Labs, and Projects introduces concepts, techniques, and tools needed for productive growth in the fields of audio, video, and multimedia recording.
A pathbreaking study of the women who create electronic dance music, Beyond the Dance Floor focuses on the largely neglected relationship between these women and the conceptions of gender and technology that continue to inform the male-dominated culture surrounding electronic music.
When the Canadian Electronic Ensemble (CEE) began as a group of students at the University of Toronto in 1972, they performed with cumbersome, finicky analog instruments and DIY logistics, never sure if everything would work as intended.
Live Looping in Musical Performance offers a diverse range of interdisciplinary perspectives on the application of live looping technology by lusophone performers and composers.
Live Looping in Musical Performance offers a diverse range of interdisciplinary perspectives on the application of live looping technology by lusophone performers and composers.
Wildfire tells the story of the first decade of The Prodigy from the perspective of original member Leeroy Thornhill, fully illustrated with entirely unseen photography from the earliest raves, to Japan and the United States in the late '90s, by which point the band were one of the biggest on the planet.
