Opera

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over.

This concise history tells the fascinating story of how three generations of the Christie family have grown a small opera house in the South Downs into an internationally acclaimed Festival and Tour, reflecting founder John Christie's insistence on doing 'not the best we can do but the best that can be done anywhere'.

This concise history tells the fascinating story of how three generations of the Christie family have grown a small opera house in the South Downs into an internationally acclaimed Festival and Tour, reflecting founder John Christie's insistence on doing 'not the best we can do but the best that can be done anywhere'.

Sir William Schwenck Gilbert was born at 17 Southampton Street just off the Strand in London on November 18th 1836.

Sir William Schwenck Gilbert was born at 17 Southampton Street just off the Strand in London on November 18th 1836.

Sir William Schwenck Gilbert was born at 17 Southampton Street just off the Strand in London on November 18th 1836.

This illustrated study is a resource for opera scholars, opera workers and opera lovers.

Everything you need to know about opera in one handy guide.

From Glyndebourne to the King s Head, in the flesh and streamed online: opera is reaching a broader audience than ever before.

Insights into an opera stage director's work from an internationally acclaimed director and teacher.

Warren Roberts has discovered a Rossini that others have not seen, a composer who commented ironically and satirically on religion and politics in Post-Napoleonic Europe.

The hidden history of the women who dared to write music in a man's world.

Opera is often dismissed as outdated and excessive, and perceived to be characterised by excessive passions, sumptuous costumes, and ill-mannered divas.

Born in Quebec, Emma Lajeunesse studied in Europe and in 1869 at the age of 23 launched her opera career in Italy.

Born in Quebec, Emma Lajeunesse studied in Europe and in 1869 at the age of 23 launched her opera career in Italy.

It started with a festival - three classic operas performed in a theatre in Toronto.

Sol3 Mio are Kiwi stars on a meteoric rise.

Schindlers List meets The Sound of Music as best-selling New York Post investigative journalist Isabel Vincent delves into pre-World-War-II history to recover the amazing story of two British spinsters who masterminded a plan to spirit dozens of Jewish stars and personnel of the German and Austrian opera to England and save them from a terrible fate under the Third Reich.

In 1759, the court of the Italian Duchy of Parma adopted the inspiration of cultural creators who recommended a reform of Italian opera along French lines.

This book investigates the use of extended reality (XR) technologies to innovate the opera experience.

Opera is a fragile, complex art, but it flourished extravagantly in San Francisco during the Gold Rush years, a time when daily life in the city was filled with gambling, duels, murder, and suicide.

Amanda Johnston provides a comprehensive resource offering a modern approach to lyric diction and a thorough analysis of German and English.

From the Wall Street Journal's opera critic, a history of how and why the New York City Opera went bankrupt-and what it means for the future of the arts.

Since his 1991 debut at New York's Metropolitan Opera, Hao Jiang Tian has appeared on the world's greatest stages, more than 300 times at the Met alone.

Growing up African American in segregated Arkansas in the 1950s, Barbara Hendricks witnessed firsthand the painful struggle for civil rights.

'Lush and imaginative, Denner's The Kiss of the Nightingale will sweep you into an alternate Paris.

It is sometimes hard to accept change - particularly when it is delivered as a hardship, disappointment, or rejection.

It may be human nature to resist change—particularly when it's delivered as a hardship, disappointment, or rejection.

Often people are given new positions in order to provide them with developmental experiences.

The Center for Creative Leadership's continuing studies of executives have found that learning on the job is the best way for a person to develop.

The Center for Creative Leadership's continuing studies of executives have found that learning on the job is the best way for a person to develop.

From an award-winning author, the first thorough examination of the important influence of opera on Brecht's writings.