The founding in 1777 of the Journal de Paris, France's first daily and distinctly commercial paper, represents an early use of disinformation as a tool for political gain, profit, and societal division.
After their military defeat by the Florentines in the mid-sixteenth century, the citizens of Siena turned from politics to celebratory, social occasions to express their civic identity and show their capacity for collective action.
The study of opera in the second half of the eighteenth century has flourished during the last several decades, and our knowledge of the operas written during that period and of their aesthetic, social, and political context has vastly increased.
Der Mythos von Orpheus, dem legendären Sänger, der mit seiner Musik die Grenzen zwischen Leben und Tod überwand, hat über Jahrtausende hinweg Künstler und Denker inspiriert.
Friedrich Nietzsche regarded himself as the most musical philosopher--he played the piano, wrote his own compositions and espoused a philosophy encouraging all to dance for joy.
The tonadilla, a type of satiric musical skit popular on the public stages of Madrid during the late Enlightenment, has played a significant role in the history of music in Spain.
In its revised third edition, this volume argues that an appreciation of opera is based on understanding of several key aspects: history, language, theatrical production, the power of the conductor, vocal tradition and standard repertory.
The "e;keys"e; provided by Herve Lacombe in this richly informed book open the door to understanding the essence of nineteenth-century French lyric theater.
In this colorful and detailed history, Joshua Goldstein describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China.
Created by George Gershwin and DuBose Heyward and sung by generations of black performers, Porgy and Bess has been both embraced and reviled since its debut in 1935.
The Beginner's Guide to Opera Stage Management is the first book to cover theatrical stage management practices specifically for opera productions, providing an invaluable step-by-step guide.