Since its premiere in 1868, Wagner's Die Meistersinger von Nurnberg has defied repeated upheavals in the cultural-political landscape of German statehood to retain its unofficial status as the German national opera.
Originally published in 1997, Collins Opera & Operetta is an invaluable guide to this fascinating but sometimes misunderstood art form, presenting essential information on over 180 major operas and operettas in an accessible, yet scholarly, way.
An authoritative, accessible reference work that brings together current knowledge and new interpretive insights into Haydn''s music and cultural influence.
Summarizing the recent resurgence of scholarly interest in Strauss, this volume focuses on genres, social context, and perennially controversial topics.
The operatic culture of late eighteenth-century Naples represents the fullest expression of a matrix of creators, practitioners, theorists, patrons, and entrepreneurs linking aristocratic, public and religious spheres of contemporary society.
Music, Sexuality and the Enlightenment explains how Mozart's music for Le nozze di Figaro, Don Giovanni and CosA fan tutte 'sounds' the intentions of Da Ponte's characters and their relationships with one another.
In Staging Scenes from the Operas of Donizetti and Verdi, veteran opera director William Ferrarapresents a detailed, practical exploration of the staging of twenty-one scenes from two of opera's most beloved composers.
This book explores the crossroads between autobiographical narratives and musical composition in Alban Berg's Lulu, unveiling aspects of encoded social customs, gender identity, and personal experiences within musical structures.
Philip Glass and Robert Wilson's most celebrated collaboration, the landmark opera Einstein on the Beach, had its premiere at the Avignon Festival in 1976.
Rolland's biography attempts to provide an overview of Handel's life and works from his early lessons in music to the classical context in which he is commonly placed.
Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London explores Giardini's influence on British musical life through his multifaceted career as performer, teacher, composer, concert promoter and opera impresario.
In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel updates her work on operas written specifically to an English text, including not only works originally in English but also those set to new English librettos.
Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment.
Il volume raccoglie le relazioni tenute a Napoli nel 2021 in occasione di un convegno su Caruso e il suo t empo ed altri contributi che si concentrano su numerosi nuovi aspetti della sua vita e della sua carriera – e del mondo operistico tra la fine del XIX secolo e i primi del Novecento.