From her unique standpoint as singer-songwriter-scholar, Polly Paulusma examines the influences of Carter's 1960s folk singing, unknown until now, on her prose writing.
Franz Schuberts Streichquartett, eines der bedeutendsten Kammermusikwerke der Romantik, berührt seit Generationen durch seine emotionale Tiefe und thematische Vielschichtigkeit.
Establishing an intersection between the fields of traditional music studies, English folk music history and the philosophy of Gilles Deleuze and Felix Guattari, this book responds to the problematic emphasis on cultural identity in the way traditional music is understood and valued.
Arlo Guthrie, the son of America's legendary dust bowl troubadour Woody Guthrie and Martha Graham dancer Marjorie Mazia Guthrie, was reared in the rarefied atmosphere of New York City's remnant Old Left culture, a period that brought together art, political action, and folk music.
From the moment Joni Mitchell's career began with coffee-house bookings, serendipitous encounters with established stars, and a recording contract that gave her full creative control over her music the woman from the Canadian wheat fields has eluded industry cliches.
From her unique standpoint as singer-songwriter-scholar, Polly Paulusma examines the influences of Carter's 1960s folk singing, unknown until now, on her prose writing.
Dein Song möchte Kinder und Jugendliche darin ermuntern, sich aktiv mit Musik zu beschäftigen und bietet talentierten Nachwuchssongwritern Raum für die Entfaltung ihrer eigenen musikalischen Ideen.
The writer of such influential songs as ';Pancho and Lefty,' ';To Live's to Fly,' ';If I Needed You,' and ';For the Sake of the Song,' Townes Van Zandt exerted an influence on at least two generations of Texas musicians that belies his relatively brief, deeply troubled life.
Music, and folk music in particular, is often embraced as a form of political expression, a vehicle for bridging or reinforcing social boundaries, and a valuable tool for movements reconfiguring the social landscape.
From his first performance in the late 1940s until his early death in 1982, Marty Robbins established himself as one of the most popular and successful singer/songwriters in the latter half of the 20th century.
Establishing an intersection between the fields of traditional music studies, English folk music history and the philosophy of Gilles Deleuze and Felix Guattari, this book responds to the problematic emphasis on cultural identity in the way traditional music is understood and valued.
Recording technologies shaped the sound and meaning of 20th-century folk music in Britain, constructing a sonic aesthetics of authenticity in an era of rapid technological and social transformation.
A groundbreaking appreciation of Dylan as a literary practitioner WINNER OF THE ELIZABETH AGEE PRIZE IN AMERICAN LITERATURE The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider.
