Focus: Scottish Traditional Music engages methods from ethnomusicology, popular music studies, cultural studies, and media studies to explain how complex Scottish identities and culture are constructed in the traditional music and culture of Scotland.
Jean Cocteau, Erik Satie, Moulin Rouge - the names popularly associated with film composer Georges Auric's career conjure visions of a distant and glamorous early twentieth-century Parisian art world.
The greatest backup group in the history of recorded music undoubtedly was the Jordanaires, a gospel group of mostly Tennessee boys, formed in the 1940s, that set the standard for studio vocal groups in the '50s, '60s, '70s, and beyond.
Though individual pieces from the late fifteenth century are widely accepted as being written for instruments rather than voices, they are traditionally considered as exceptions within the context of a mainstream of vocal polyphony.
Sounding Authentic considers the intersecting influences of nationalism, modernism, and technological innovation on representations of ethnic and national identities in twentieth-century art music.
Christian metal has always defined itself in contrast to its non-Christian, secular counterpart, yet it stands out from nearly all other forms of contemporary Christian music through its unreserved use of metal's main musical, visual, and aesthetic traits.
Music cultures today in rural and urban Mongolia and Inner Mongolia emerge from centuries-old pastoralist practices that were reshaped by political movements in the twentieth century.
In the motets of Philippe de Vitry, Guillaume de Machaut, and their contemporaries, tenors have often been characterized as the primary shaping forces, prior in conception as well as in construction to the upper voices.
In a film career that spanned more than seven decades, Freddie Francis distinguished himself as both an award-winning cinematographer and as a director of classic British horror films of the 1960s and 70s.
A major figure in American blues and folk music, Big Bill Broonzy (1903-1958) left his Arkansas Delta home after World War I, headed north, and became the leading Chicago bluesman of the 1930s.
During Mexico's silent (1896-1930) and early sound (1931-52) periods, cinema saw the development of five significant genres: the prostitute melodrama (including the cabaretera subgenre), the indigenista film (on indigenous themes or topics), the cine de aoranza porfiriana (films of Porfirian nostalgia), the Revolution film, and the comedia ranchera (ranch comedy).
The emergence of modern dance and the early history of cinema ran concurrent with the European avant-garde's development of pictorial abstraction in the first decades of the 20th century.
This book traces Dadakuada's history and artistic vision and discusses its vibrancy as the most popular traditional Yoruba oral art form in Islamic Africa.
Born in New Orleans before migrating to Chicago, Mahalia Jackson (1911-72) is undoubtedly the most widely known black gospel singer, having achieved fame among African American communities in the 1940s then finding a wide audience among non-black U.
Glenn Gould (1932-1982) was a giant of twentieth-century classical music, but one whose eccentricities have sometimes obscured the moral seriousness of his approach to art.
In his 1967 megahit "e;San Francisco,"e; Scott McKenzie sang of "e;people in motion"e; coming from all across the country to San Francisco, the white-hot center of rock music and anti-war protests.
Critiques and calls for reform have existed for decades within music education, but few publications have offered concrete suggestions as to how things might be done differently.
The author presents a cultural history of popular Viennese electronic music from 1990 to 2015, from the perspectives of production, scene and national and international reception.
The Routledge Companion to the Contemporary Musical is dedicated to the musical's evolving relationship to American culture in the late twentieth and early twenty-first centuries.
Two crucial moments in the formation and disintegration of musical modernity and the musical canon occurred at the turn of the seventeenth and the first half of the twentieth century.
In The Mikado to Matilda: British Musicals on the New York Stage, Thomas Hischak provides an overview of British musicals that made their way to Broadway, covering their entire history up to the present day.
A PopMatters Best Non-Fiction Book of 2020 From the 1930s to the 1960s, the booming popularity of country music threw a spotlight on a new generation of innovative women artists.
Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.
The bagpipe is one of the cultural icons of Scottish highlanders, but in the twentieth century traditional Scottish Gaelic piping has all but disappeared.
Marty Stuart, one of the most popular country artists, portrays well-known and not-so-well-known pilgrims through spectacular photographs and well-written words.
This collection covers a wide range of topics, from a moving study of Bizet's Carmen to an entertainingly caustic exploration of the hierarchies of the auditorium.