The most clearly identifiable and popular form of Japanese hip-hop, ghetto or gangsta music has much in common with its corresponding American subgenres, including its portrayal of life on the margins, confrontational style, and aspirational rags-to-riches narratives.
Over the past 30 years, musicologists have produced a remarkable new body of research literature focusing on the lives and careers of women composers in their socio-historical contexts.
We have grown accustomed to corporate influence in retail outlets, restaurants, and even higher education-but what happens when corporations take over desire?
This empirical and theoretical book should be of interest to anyone who dares to consider the contentious topic of measuring and justifying aesthetic value in music, as well as the issue of how experts compare to nonexperts in terms of aesthetic fluency,
Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918 presents a range of historical case studies on the sounding worlds of the European past.
The tensions between utopian dreams and dystopian anxieties permeate science fiction as a genre, and nowhere is this tension more evident than in Star Trek.
This collection of essays, first published in 1987, provides a sociological treatment of many musical forms - rock, jazz, classical - with special emphasis on the perspective of the practising musician.
This collection of reprinted essays starts from the author's doctoral research on Jacopo Peri and the rise of opera and solo song in late sixteenth- and early seventeenth-century Florence.
The Whole Booke of Psalmes was one of the most published and widely read books of early modern England, running to over 1000 editions between the 1570s and the early eighteenth century.
More than four decades since their first album, and 35 years after the release of the iconic Dark Side of the Moon, Pink Floyd continue to inspire and mystify rock fans around the world.
Nikolay Andreevich Rimsky-Korsakov: A Research and Information Guide, Second Edition is an annotated bibliography of all substantial, relevant published resources relating to the Russian composer.
THE #1 NEW YORK TIMES, GRAMMY-NOMINATED BESTSELLERA SUNDAY TIMES, GUARDIAN, OBSERVER, ROLLING STONE, AND ROUGH TRADE BOOK OF THE YEAR A panoramic experience that tells the story of Beastie Boys, a book as unique as the band itself-by band members AD-ROCK and Mike D, with contributions from Amy Poehler, Colson Whitehead, Spike Jonze, Wes Anderson, Luc Sante, and more.
In this book, Julian Hellaby presents a detailed study of English piano playing and career management as it was in the middle years of the twentieth century.
Becoming commercially available in the mid 1960s, video quickly became integral to the intense experimentalism of New York City's music and art scenes.
'So honest and pure as to count as a true rapture' JOAN DIDION'A poetic masterpiece' JOHNNY DEPP'Our St John of the Cross, a mystic full of compassion' EDMUND WHITE'A roadmap to my life', from the National Book Award-winning author of Just Kids: an unforgettable odyssey of a legendary artist, told through the prism of caf s and haunts she has worked in around the worldREVISED EDITION WITH FIVE THOUSAND WORDS OF BONUS MATERIAL AND NEW PHOTOGRAPHS M Train begins in the tiny Greenwich Village caf where Smith goes every morning for black coffee, ruminates on the world as it is and the world as it was, and writes in her notebook.
This book brings together a range of arts and development scholars and practitioners to explore the unique ways in which arts-based research methods can make a unique positive contribution to effective global development practice.
Interpreting Music Video introduces students to the musical, visual, and sociological aspects of music videos, enabling them to critically analyze a multimedia form with a central place in popular culture.
This volume brings together literary and musical compositions of medieval France, identifying the use of voice in these works as a way of articulating gendered identities.
Between 1955 and 1975 music theatre became a central preoccupation for European composers digesting the consequences of the revolutionary experiments in musical language that followed the end of the Second World War.
Caritas relates the 'true', yet largely undocumented story of Christine Carpenter, a 14th-century anchoress who moves towards insanity as her desire for a divine revelation continues to be unfulfilled after a period of three years locked in her cell.
This book tells three inter-related stories that radically alter our perspective on plainchant reform at the turn of the twentieth century and highlight the value of liturgical music history to our understanding of French government anticlericalism.
Varwig places the music of Schütz in a richly detailed seventeenth-century context, comparing this to its later nineteenth- and twentieth-century reception.
Professionalisation was a key feature of the changing nature of work and society in the nineteenth century, with formal accreditation, registration and organisation becoming increasingly common.
Musical theatre students and performers are frequently asked to learn musical material in a short space of time; sight-read pieces in auditions; collaborate with accompanists; and communicate musically with peers, directors, music directors and choreographers.
Music and Traditions of the Arabian Peninsula provides a pioneering overview of folk and traditional urban music, along with dance and rituals, of Saudi Arabia and the Upper Gulf States of Kuwait, Bahrain, and Qatar.
The English folk revival cannot be understood when divorced from the history of post-war England, yet the existing scholarship fails to fully engage with its role in the social and political fabric of the nation.
Eudaimonia: Perspectives for Music Learning asserts the fertile applications of eudaimonia-an Aristotelian concept of human flourishing intended to explain the nature of a life well lived-for work in music learning and teaching in the 21st century.