»Don't look back in anger«Dass die zerstrittenen Brüder Noel und Liam Gallagher eines Tages wieder zueinander finden würden, haben Fans nicht zu hoffen gewagt.
Revisits Australian rock band silverchair's globally successful debut album Frogstomp (1995) and asserts that the band is not an imitation of American grunge nor an emblem of Gen X angst.
Fanfare for a City invites us to listen to the sounds of Paris during the Second Empire (18521870), a regime that oversaw dramatic social change in the French capital.
Key is one of the simplest building blocks of musicand is among the foundational properties of a work's musical identityso why isn't ita standard parameter in discussing film music?
Confronting Stravinsky: Man, Musician, and Modernist offers a groundbreaking exploration of Igor Stravinsky's dynamic career, delving into his stylistic transformations and the broader cultural forces that shaped his influential works.
Dore Ashton has updated the bibliography and added a new concluding chapter to her classic study of the paintings and drawings of Philip Guston, the only study of his work completely authorized by the artist.
The Italian Ars Nova Music: A Bibliographic Guide to Modern Editions and Related Literature is an essential resource for scholars, students, and enthusiasts of Italian Trecento music.
The Italian Ars Nova Music: A Bibliographic Guide to Modern Editions and Related Literature is an essential resource for scholars, students, and enthusiasts of Italian Trecento music.
Great Sacred Music, a free lunchtime event of spoken word and music for choirs and congregations, is a regular feature of the life at witness of St Martin-in-the-Fields.
Nigeria brims with an array of art musicians who have endeavoured to create and perform art music using traditional compositional nuances and performance practices.
Big Road Blues by David Evans delves into the often overlooked processes of folk blues tradition and composition, offering a groundbreaking study that reveals the intricate dynamics behind the evolution of this influential genre.
Most of the essays in this book were solicited for the tenth anniversary of the journal 19th Century Music, which has sought to encourage innovative writing about music--musicological, theoretical, and/or critical writing--since its founding in 1977.
Most of the essays in this book were solicited for the tenth anniversary of the journal 19th Century Music, which has sought to encourage innovative writing about music--musicological, theoretical, and/or critical writing--since its founding in 1977.