This volume brings together a selection of essential articles from the journal Revista Internacional de Educacion Musical (RIEM), a Spanish-language journal published by the International Society for Music Education, making this work available to an English-speaking audience for the first time.
The Times Do Not Permit is the first extended overview of the life, times, and music of Michael Mosoeu Moerane (1904-1980), a composer brought up in rural South Africa in the early twentieth century.
This book brings together a range of arts and development scholars and practitioners to explore the unique ways in which arts-based research methods can make a unique positive contribution to effective global development practice.
Aesthetic Noise: The Philosophy of Intentional Listening considers the complex nature of noise within the framework of philosophical filtering, examining how, if noise is engaged with aesthetically, it can produce profound experiences and understandings.
Jazz and Literature: An Introduction presents an original collection of essays from leading international scholars, examining an array of musical and literary interconnections including improvisation, multicultural influences, poetry, modernism, the Beat movement, jazz forms, noir, solo and collective expression, global perspectives on jazz and literature, etc.
This book examines how compression can be understood not only as a digital process enacted through computing, but as a wider economic and political phenomenon that impacts on the ecology of waste, diversity and social inclusivity.
The greater Chicagoland area of the Midwest--Illinois, Indiana, Wisconsin, Michigan, and Iowa--well represented the profuse pop rock playlist of the mid-1960s.
The greater Chicagoland area of the Midwest--Illinois, Indiana, Wisconsin, Michigan, and Iowa--well represented the profuse pop rock playlist of the mid-1960s.
Chef d’orchestre portugais à la carrière internationale remarquable, Pedro de Freitas Branco (1896-1963) fut l’un des interprètes les plus appréciés de Maurice Ravel.
The Routledge Companion to Music, Autoethnography, and Reflexivity represents a substantial contribution to the field of writing reflexively about an individual's practice within music studies.
This book contains sixteen essays on Venetian music in its last great period, stretching from the second half of the 17th century to the fall of the Republic in 1797.
This volume gathers together twelve essays on the composer's music, reflecting the author's interests in aesthetic and psychological issues, the sacred works, methods of structural analysis, and the problems of making critical editions.
Con il catalogo I libretti italiani a stampa dalle origini al 1800, pubblicata dal 1990 al 1994 da Bertola & Locatelli a Cuneo, Claudio Sartori ha donato alla ricerca sulla storia dell'opera e dell'oratorio una base completamente nuova.
