The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present.
Just as musical etudes focus on the development of skills and address the technical problems encountered in keyboard literature, the "e;etudes"e; in Stewart Gordon's new book also focus on ideas which prepare piano teachers for meeting the problems encountered in piano performing and teaching.
The creative use of indeterminacy, that is, "e;chance,"e; is an often-overlooked design opportunity despite the universality of chance in art, nature, science, and life.
This book argues that the songs on Bob Dylan’s John Wesley Harding are deeply concerned with the fractures in collective memory and politics contemporary with its composition and recording.
The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present.
Combining key selections from the classic MENC Handbook of Research on Music Teaching and Learning (Schirmer, 1992) and the widely acclaimed New Handbook of Research on Music Teaching and Learning (Oxford, 2002), the MENC Handbook of Research Methodologies presents comprehensive coverage of the most important issues in music education research in a handy and accessible format.
This volume brings together contributions from musicology, philosophy, cognitive science, and performance studies to explore how emotional content in Early Music can be understood and interpreted.
Most lauded for the gorgeously baroque Odessey And Oracle, and the ageless singles 'She's Not There' and 'Time Of The Season', The Zombies were at the forefront of The British Invasion, recording music described by Tom Petty as 'so original it hurt'.
Ce livre offre une reflexion inedite sur l'ecoute et ses multiples dimensions pour explorer un paysage sonore souvent inoui : celui des sons de faible intensite produits par la technologie, qui nous entourent sans que nous en soyons conscients.
Francoise Legrand, musicienne eclectique, cheffe d'orchestre engagee et passionnee, a su conjuguer exigence artistique et humanisme durant sa carriere.
Cantante rivoluzionaria, attrice eccezionale, figura di straordinaria eleganza, protagonista della scena e delle cronache mondane: Maria Callas e un mito del XX secolo che non smette di esercitare il suo fascino.
'I think my music deserves to be considered as a whole', Igor Stravinsky remarked at the end of a long and restless career, and that is exactly what the authors of The Apollonian Clockwork do.
Globalization, Nationalism, and Music Education in the Twenty-First Century in Greater China examines the recent developments in school education and music education in Greater China, Mainland China, Hong Kong, and Taiwan, and the relationship between, and integration of, national cultural identity and globalization in their respective school curriculums.
Bei der Kreuzschule studierte er Geschichte und Literatur, zeigte ein besonderes Interesse in den Werken von Homer, dem mutigen antiken griechischen Autor der Iliad und der Odyssee und von William Shakespeare.
'I think my music deserves to be considered as a whole', Igor Stravinsky remarked at the end of a long and restless career, and that is exactly what the authors of The Apollonian Clockwork do.
Globalization, Nationalism, and Music Education in the Twenty-First Century in Greater China examines the recent developments in school education and music education in Greater China, Mainland China, Hong Kong, and Taiwan, and the relationship between, and integration of, national cultural identity and globalization in their respective school curriculums.
Descobreix el Canconer Nadalenc Catala - un recull de melodies tradicionals adaptades per a violoncel amb acords de guitarra, pensat per fer sonar el Nadal amb emocio i senzillesa.
Da drauen war ein Seelenverwandter - Die Geschichte einer lebenslangen FaszinationIm Jahr 1969 ist Frank Schatzing 12 Jahre alt und nicht gerade der Experte fur Coolness auf dem Schulhof eines Kolner Gymnasiums.
Wenn das Publikum Musikern im Spielfilm als Handlungstragern begegnet, kann deren Musik provozieren - innerhalb der Handlung, aber auch gegenuber dem Publikum.