This revised third edition of The Male Dancer updates and enlarges a seminal book that has established itself as the definitive study of the performance of masculinities in twentieth century modernist and contemporary choreography.
In this rich interdisciplinary study Tim Scholl provides a provocative and timely re-evaluation of the development of ballet from the 1880s to the middle of the twentieth century.
Part memoir, part dance history and ethnography, this critical study explores ballet's power to inspire and to embody ideas about politics, race, women's agency, and spiritual experience.
THE LURE OF PERFECTION: FASHION AND BALLET, 1780-1830 offers a unique look at how ballet influenced contemporary fashion and women's body image, and how street fashions in turn were reflected by the costumes worn by ballet dancers.
THE LURE OF PERFECTION: FASHION AND BALLET, 1780-1830 offers a unique look at how ballet influenced contemporary fashion and women's body image, and how street fashions in turn were reflected by the costumes worn by ballet dancers.
As an introduction to ballet's history, culture, and meanings, this book draws on the latest ballet scholarship to describe the trajectory of a dance form that has risen to global ubiquity and benefited from many diverse influences along the way.
From the graceful flutter of Princess Florine at Sleeping Beauty's wedding to the playful jetes in the first act of Giselle, the variation - or short solo work - is one of the key elements of classical ballet.
In 1866, when the ballet La Source debuted, the public at the Paris Opera may have been content to dream about its setting in the verdant Caucasus, its exotic Circassians, veiled Georgians, and powerful Khan.
The story behind the scandalous first performance of one of the most influential works in the history of music, as part of the stunning Landmark Library series.
Tina Hobin - acknowledged expert and practitioner of belly dance, with many years experience of teaching and dancing throughout the world - introduces us to the history of this ancient and mystical dance in an accessible style, both enjoyable and easy to read.
David Hallberg, the first American to join the famed Bolshoi Ballet as a principal dancer and the dazzling artist The New Yorker described as ';the most exciting male dancer in the western world,' presents a look at his artistic lifeup to the moment he returns to the stage after a devastating injury that almost cost him his career.
Dance Pedagogy is a comprehensive resource designed for dance students and teaching artists to develop skills and strategies in the multifaceted practice of teaching dance.
A richly informed, up-to-date performance guide to more than 140 favorite ballets, from the classical era to the present day This engaging book is a welcome guide to the most successful and loved ballets seen on the stage today.
Composer, cultural diplomat, and man about town, Nicolas Nabokov (1903-78) counted among his intimate friends everyone from Igor Stravinsky to George Kennan.
This edited collection examines the potential of dance training for developing socially engaged individuals capable of forging ethical human relations for an ever-changing world and in turn frames dance as a fundamental part of human experience.
Von den prachtvollen Höfen der Renaissance bis hin zu den glanzvollen Bühnen der Moderne – das Ballett hat eine faszinierende Reise durch die Jahrhunderte hinter sich.
This new collection of essays and interviews assembles research on teaching methods, choreographic processes, and archival material that challenges systemic exclusions and provides practitioners with accessible steps to creating more equitable teaching environments, curricula, classes, and artistic settings.
In a small, desperately poor village in north-east China, a young peasant boy sits at his rickety old school desk, interested more in the birds outside than in Chairman Mao's Red Book and the grand words it contains.
Dancing Shakespeare is the first history of ballets based on William Shakespeare's works from the birth of the dramatic story ballet in the eighteenth century to the present.
Ukrainian dancer and choreographer Serge Lifar (1905-86) is recognized both as the modernizer of French ballet in the twentieth century and as the keeper of the flame of the classical tradition upon which the glory of French ballet was founded.
Composer, cultural diplomat, and man about town, Nicolas Nabokov (1903-78) counted among his intimate friends everyone from Igor Stravinsky to George Kennan.
In Humanizing Ballet Pedagogies, Jessica Zeller offers a new take on the ballet pedagogy manual, examining how and why ballet pedagogies develop, considering their implications for students and teachers, and proposing processes by which readers can enact humanizing, equitable approaches.
A series of interviews with some of the foremost dancers in twentieth-century ballet, Never Far from Dancing reflects on the paths that their careers have taken since they retired from the stage.
This innovative work introduces the interdisciplinary field of research of kinesemiotics, offering a new adaptable model and means of analysis for understanding forms of movement-based communication, such as dance, that use a codified language shared by a community of users.
With members of four generations deeply involved in music and dancing, the Christensen Brothers are indisputably the United States' closest equivalent to the European tradition of dance dynasties.
In den 1920er-Jahren gerät nicht nur die Welt, sondern auch die Musik und das Musikleben ins Taumeln: zwischen Krise und Aufbruch, Abschottung und Austausch, dem sehnsüchtigen Blick zurück und neuer Dynamik.