Choreography

This book explores the Broadway legacy of choreographer Agnes de Mille, from the 1940s through the 1960s.

This book explores the Broadway legacy of choreographer Agnes de Mille, from the 1940s through the 1960s.

Dance is often considered an ephemeral art, one that disappears nearly as soon as it materializes, leaving no physical object behind.

Dance is often considered an ephemeral art, one that disappears nearly as soon as it materializes, leaving no physical object behind.

Often called the Picasso, Stravinsky, or Frank Lloyd Wright of the dance world, Martha Graham revolutionized ballet stages across the globe.

In Kinesthetic City, author SanSan Kwan explores the contentious nature of Chineseness in diaspora through the lens of moving bodies as they relate to place, time, and identity.

Dancefilm: Choreography and the Moving Image examines the choreographic in cinema - the way choreographic elements inform cinematic operations in dancefilm.

Often called the Picasso, Stravinsky, or Frank Lloyd Wright of the dance world, Martha Graham revolutionized ballet stages across the globe.

Dancefilm: Choreography and the Moving Image examines the choreographic in cinema - the way choreographic elements inform cinematic operations in dancefilm.

Choreographing Copyright is a new historical and cultural analysis of U.

Bob Fosse (1927-1987) is recognized as one of the most significant figures in post-World War II American musical theater.

Bob Fosse (1927-1987) is recognized as one of the most significant figures in post-World War II American musical theater.

There is no archive or museum of human movement, no place where choreographies can be collected and conserved in pristine form.

The Oxford Handbook of Dance and Reenactment brings together a cross-section of artists and scholars engaged with the phenomenon of reenactment in dance from a practical and theoretical standpoint.

Because dance materializes through and for people, because we learn to dance from others and often present dance to others, the moment of its transmission is one of dance's central and defining features.

Because dance materializes through and for people, because we learn to dance from others and often present dance to others, the moment of its transmission is one of dance's central and defining features.

In distinction to many extant histories of ballet, The Oxford Handbook of Contemporary Ballet prioritizes connections between ballet communities as it interweaves chapters by scholars, critics, choreographers, and working professional dancers.

In distinction to many extant histories of ballet, The Oxford Handbook of Contemporary Ballet prioritizes connections between ballet communities as it interweaves chapters by scholars, critics, choreographers, and working professional dancers.

The Oxford Handbook of Dance and Reenactment brings together a cross-section of artists and scholars engaged with the phenomenon of reenactment in dance from a practical and theoretical standpoint.

There is no archive or museum of human movement, no place where choreographies can be collected and conserved in pristine form.

Wars in this century are radically different from the major conflicts of the 20th century--more amorphous, asymmetrical, globally connected, and unending.

Choreographing Copyright is a new historical and cultural analysis of U.

What happens when machines teach humans to dance?

What happens when machines teach humans to dance?

Wars in this century are radically different from the major conflicts of the 20th century--more amorphous, asymmetrical, globally connected, and unending.