Profiling 30 mask makers from around the world, this book explores the motivations and challenges of contemporary artists working to bring the traditional methods and conventions of mask making to an evolving global theatre.
Balancing in the Balkans explores the region for ideas concerning globalism, the creation of transnational economic communities from capital flows across political boundaries, tribalism, and the disintegration of nations into ethnic factions based upon ancient hatreds.
Dancefilm: Choreography and the Moving Image examines the choreographic in cinema - the way choreographic elements inform cinematic operations in dancefilm.
Born in Vienna in 1890, Gertrud Bodenwieser became a leading exponent of Ausdruckstanz (Expressionist Dance) during the 1920s and 1930s, developing a definitive personal style and a philosophy of dance that distinguished her from all her contemporaries.
In the vibrant and cosmopolitan city of Hong Kong, the rich and complex cultural scene thrives under the guidance and stewardship of visionary leaders.
Dance on the American Musical Theatre Stage: A History chronicles the development of dance, with an emphasis on musicals and the Broadway stage, in the United States from its colonial beginnings to performances of the present day.
When political protest is read as epidemic madness, religious ecstasy as nervous disease, and angular dance moves as dark and uncouth, the 'disorder' being described is choreomania.
This introduction to world dance charts the diverse histories and stories of dancers and artists through ten key moments that have shaped the vast spectrum of different forms and genres that we see today.
In a memoir that Lance Olsen calls “fascinating, horrifying, unfalteringly honest”, award-winning writer Renée D’Aoust draws from her experiences as a modern dancer in New York City during the nineties.
From the Wall Street Journal's opera critic, a history of how and why the New York City Opera went bankrupt-and what it means for the future of the arts.
The author takes a new approach to teaching notation through movement exercises, thus enlarging the scope of the book to teachers of movement and choreography as well as the traditional dance notation students.
Dancing at the crossroads used to be young people's opportunity to meet and enjoy themselves on mild summer evenings in the countryside in Ireland until this practice was banned by law, the Public Dance Halls Act in 1935.
In Becoming Beautiful, Joanna Bosse explores the transformations undergone by the residents of a Midwestern town when they step out on the dance floor for the very first time.
Global Tangos: Travels in the Transnational Imaginary argues against the hackneyed rose-in-mouth cliches of Argentine tango, demonstrating how the dance may be used as a way to understand transformations around the world that have taken place as a result of two defining features of globalization: transnationalism and the rise of social media.
This fully updated new edition of Teaching Practice for Early Childhood will help student and recently graduated early childhood teachers make the most of their teaching in a variety of early years' settings.
This volume presents a multidisciplinary perspective on dance scholarship and practice as they have evolved in India and its diaspora, outlining how dance histories have been written and re-written, how aesthetic and pedagogical conventions have changed and are changing, and how politico-economic shifts have shaped Indian dance and its negotiation with modernity.
This book analyses the world-renowned Belgian choreographer's key approaches and dramaturgical strategies through selected case studies from his oeuvre between 2000 and 2010, from Rien de Rien to Babel(words).
Tracing Tangueros offers an inside view of Argentine tango music in the context of the growth and development of the art form's instrumental and stylistic innovations.
International vaudeville star and Broadway prima ballerina Jeanne Devereaux performed for millions across America and Europe from age eleven until her retirement at forty.
This book contributes to the growing scientific literature on 'intangible cultural heritage' - determined by UNESCO to be particularly worthy of safeguarding and transmission - by advancing a theoretical-analytical framework for the (in)tangible cultural heritage of dance.
Flamenco Music and National Identity in Spain explores the efforts of the current government in southern Spain to establish flamenco music as a significant patrimonial symbol and marker of cultural identity.
A fun, fact-filled, and thoroughly researched journey of country and western dancing from the roots of Western Swing to Hank Williams, the Urban Cowboy two-step of John Travolta, and the nationwide sensation of country line dancing.