**Zwei Tänzer, ein Wettkampf, ein Ziel – und ein Kuss, der alles ändert** Louisa Bergmann ist die kleine Schwester seines besten Freundes – und aus vielen Gründen tabu.
This book investigates the aesthetic and political dialectics of East Berlin to argue how its theater and opera stages incited artists to act out, fuel, and resist the troubled construction of political legitimacy.
This updated fourth edition of Theatre Histories offers a critical overview of global theatre, drama, and performance, spanning a broad wealth of world cultures and periods, integrating them chronologically or thematically, and showing how they have often interacted.
In this uplifting memoir, Lee Wilson shares stories from her four decades of dancing on Broadway, with anecdotes about theatre legends including Agnes de Mille, Richard Rodgers, Michael Bennett, Donna McKechnie, and Bernadette Peters.
Esta colección de ensayos presenta un registro de los procesos intelectuales y creativos que han acompañado a la autora a lo largo de su quehacer como coreógrafa, en complemento con su formación en las ciencias naturales y la filosofía.
Undergraduate Research in Dance: A Guide for Students supplies tools for scaffolding research skills, alongside examples of undergraduate research in dance scholarship.
Dance Pedagogy is a comprehensive resource designed for dance students and teaching artists to develop skills and strategies in the multifaceted practice of teaching dance.
María Teresa Gil Ogliastri creó y desarrolló una metodología de trabajo denominado NEUROTANGO, basado en su Tesis de Posgrado en Danza Movimiento Terapia de la Universidad Nacional de las Artes: "Aportes del Tango en el Contexto de DMT para la interacción social de adultos con discapacidad intelectual, visual y motora".
Alice takes you to the nighttime world of a burlesque theater, haunted by a banshee and alluring stripper ghosts, the scene of an exotic dancers tragic death.
Despite its unabated popularity with audiences, slapstick has received rather little scholarly attention, mostly by scholars concentrating on the US theater and cinema traditions.
This book theorizes dance technique as the Greek techne translated as art, and shows how movement can inspire epistemic, philosophical, and cultural conversations in technology studies.
Despite its unabated popularity with audiences, slapstick has received rather little scholarly attention, mostly by scholars concentrating on the US theater and cinema traditions.
Architecture and Choreography: Collaborations in Dance, Space and Time examines the field of archi-choreographic experiments-unique interdisciplinary encounters and performed events generated through collaborations between architects and choreographers.
Intended to be kept at a screenwriters fingertips, The Hollywood Standard provides what even the best script software cant: clear, concise instructions and hundreds of examples to take the guesswork out of a multitude of formatting questions that perplex even seasoned screenwriters.
The 'Female' Dancer aims to question dancers' relationships with 'female' through the examination and understandings of biological, anatomical, scientific, and self-social identity.
This book argues that dramaturgy makes things visible and does so in two distinct and interrelating ways: creative processes and formal elements of performance are rendered visible and readable; and performance dramaturgy becomes an expanded practice in which performance is a locus for creating wide-ranging events and activities.
Investigating more than 70 key concepts relating to the performing arts in more than six non-European languages, this volume provides a groundbreaking research tool and one-of-a-kind reference source for theatre, performance and dance studies worldwide.
Investigating more than 70 key concepts relating to the performing arts in more than six non-European languages, this volume provides a groundbreaking research tool and one-of-a-kind reference source for theatre, performance and dance studies worldwide.
This book argues that dramaturgy makes things visible and does so in two distinct and interrelating ways: creative processes and formal elements of performance are rendered visible and readable; and performance dramaturgy becomes an expanded practice in which performance is a locus for creating wide-ranging events and activities.
The 'Female' Dancer aims to question dancers' relationships with 'female' through the examination and understandings of biological, anatomical, scientific, and self-social identity.
