Despite the steady rise in adaptations of Samuel Beckett's work across the world following the author's death in 1989, Beckett's afterlives is the first book-length study dedicated to this creative phenomenon.
Set in politically unstable environments, Shakespeare's history plays--Richard II, 1 Henry IV, 2 Henry IV and Henry V--and HBO's Western series Deadwood (2004-2006) all stand as critiques of myths of national origin, the sanitized stories we tell ourselves about how power imposes order on chaos.
Throughout cinematic history, the buildings characters inhabit--whether stately rural mansions or inner-city apartment blocks--have taken on extra dimensions, often featuring as well developed characters themselves.
During the 2010s, science fiction's immortal adversaries King Kong and Godzilla, representing our conflicts per Carl Sagan's "e;dream dragons"e; analogy, made comebacks in American cinema.
While students and general readers typically cannot relate to esoteric definitions of science fiction, they readily understand the genre as a literature that characteristically deals with subjects such as new inventions, space, robot and aliens.
The horror genre mirrors the American queer experience, both positively and negatively, overtly and subtextually, from the lumbering, flower-picking monster of Frankenstein (1931) to the fearless intersectional protagonist of the Fear Street Trilogy (2021).
With more than 180 films during a career spanning several decades, Jesus Franco (1930-2013) was an extraordinarily prolific and chameleon-like Spanish director, covering virtually every genre from horror to film noir, adventure and erotic, and adapting to all kinds of productions.
From the beginning, both Robert Kirkman's comics and AMC's series of The Walking Dead have brought controversy in their presentations of race, gender and sexuality.
Mothers on American television takes an in-depth look at how motherhood is represented on some of the most popular television series produced this century.
An updated edition - with completely new chapters - of the most accessible and compelling history of the cinema yet published, and complements Mark Cousins' fascinating 15-hour film documentary The Story of Film: An Odyssey.
The first of its kind, this study examines the exemplars of hardcore horror--Fred Vogel's August Underground trilogy, Shane Ryan's Amateur Porn Star Killer series and Lucifer Valentine's "e;vomit gore"e; films.
Home invasion narratives have been around nearly as long as cinema itself, popularized by the silent era's "e;race-to-the-rescue"e; movies and classic Hollywood's "e;gangster raid"e; films, and influenced by the slasher and stalker sub-genres.
'There is no one on earth quite so wonderful' STEPHEN FRY'As outrageously entertaining as you'd expect' Daily ExpressBAFTA-winning actor, voice of everything from Monkey to the Cadbury's Caramel Rabbit, creator of a myriad of unforgettable characters from Lady Whiteadder to Professor Sprout, MIRIAM MARGOLYES, OBE, is the nation's favourite (and naughtiest) treasure.
A sequel to Thrills Untapped: Neglected Horror, Science Fiction and Fantasy Films, 1928-1936, this volume provides coverage of over 150 feature films that contain genre elements but have been overlooked by most sources covering the history of horror, science fiction and fantasy movies.
Since the publication of the first James Blish novelizations of Star Trek episodes in 1967, close to 900 tie-in novels, anthologies, and omnibus editions have been published.
One of the top-grossing independent films of all time, The Evil Dead (1981) sparked a worldwide cult following, resulting in sequels, remakes, musicals, comic books, conventions, video games and a television series.
British literature often refers to pagan and classical themes through richly detailed landscapes that suggest more than a mere backdrop of physical features.
In this first ever book-length treatment, 11 scholars with a variety of backgrounds in medieval studies, film studies, and medievalism discuss how historical and fictional medieval women have been portrayed on film and their connections to the feminist movements of the 20th and 21st centuries.