After a decade of successful films that included Rear Window, Vertigo, North by Northwest, and Psycho, Alfred Hitchcock produced Marnie, an apparent artistic failure and an unquestionable commercial disappointment.
Long-anticipated remake of The Crow to hit theaters Fall, 2024 from director Rupert Sanders starring Bill Skarsgard "e;You won't find a more comprehensive, step-by-step account.
Longlisted for the Kraszna-Krauz Foundation's Moving Image Book Award 2024In Black Boys: The Aesthetics of British Urban Film, Nwonka offers the first dedicated analysis of Black British urban cinematic and televisual representation as a textual encounter with Blackness, masculinity and urban identity where the generic construction of images and narratives of Black urbanity is informed by the (un)knowable allure of Black urban Otherness.
This volume reframes the critical conversation about Shakespeare's histories and national identity by bringing together two growing bodies of work: early modern race scholarship and adaptation theory.
The second edition of Business Ethics through Movies: A Case Study Approach examines a wide range of ethical dilemmas, principles, and moral reasoning through a series of popular films, real-world case studies, and corporate ethics codes.
Balancing leading scholars with emerging trendsetters, this Companion offers fresh perspectives on Asian cinemas and charts new constellations in the field with significance far beyond Asian cinema studies.
As the first collection of new work on sound and cinema in over a decade, Lowering the Boom addresses the expanding field of film sound theory and its significance in rethinking historical models of film analysis.
How the study of Shakespeare's legacy, specifically in film and television, can radically challenge what we consider to be authentically Shakespearean In the field of adaptation studies today, the idea of reading an adapted text as "e;faithful"e; or "e;unfaithful"e; to its original source strikes many scholars as too simplistic, too conservative, and too moralizing.
John Schlesinger's 1969 drama, Midnight Cowboy, follows the story of na ve would-be hustler Joe Buck (Jon Voight) and ailing con man Ratso Rizzo (Dustin Hoffman), set against the gritty backdrop of New York City in the late 1960s.
The Godfather Doctrine draws clear and essential lessons from perhaps the greatest Hollywood movie ever made to illustrate America's changing geopolitical place in the world and how our country can best meet the momentous strategic challenges it faces.
Interactive documentary emerged rapidly from a constellation of changing technologies and practices to much excitement, yet its history is short and its future uncertain.
Dieses E-Book ist Teil einer zwölfbändigen Reihe, die die Geschichte des deutschen Films anhand der Sammlungsbestände der Deutschen Kinemathek von den Anfängen im Jahr 1895 bis zur Gegenwart dokumentiert.
Haunted Histories and Troubled Pasts speaks to how a transnational array of recent screen entertainments participate, through horror, in public discourses of history, the social and creative work of reshaping popular understanding of our world through the lens of the past.
Dieses E-Book ist Teil einer zwölfbändigen Reihe, die die Geschichte des deutschen Films anhand der Sammlungsbestände der Deutschen Kinemathek von den Anfängen im Jahr 1895 bis zur Gegenwart dokumentiert.
Since the 1960s, British multi-media artist Peter Greenaway has shocked and intrigued audiences with his avant-garde approach to filmmaking and other artistic ventures.
Star Bodies and the Erotics of Suffering offers film buffs, students, and scholars a fresh take on casting, method acting, audience reception, and the tensions at play in our fascination with an actor's dual role as private individual and cultural icon.
A Choice Outstanding Academic Title Flourishing in the United States during the 1940s and 50s, the bleak, violent genre of filmmaking known as film noir reflected the attitudes of writers and auteur directors influenced by the events of the turbulent mid-twentieth century.
David Lean's extraordinary films work philosophically through the modern reproductive and transportive technologies of sight and sound: through trains, planes, ships, and automobiles, from one perspective, and through the modern technology of the radio and gramophone, from another.
