Immerse yourself in the groundbreaking artistic vision of Sameh AL Tawil, the renowned Egyptian-German multimedia artist whose work transcends conventional boundaries of medium and expression.
The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish outsiders to shape mainstream culture.
Using examples and hard-earned experiences from the Author's courses and lectures at the esteemed MFA in Documentary Film Program at Stanford University, A Guide to (Short) Documentary Filmmaking: Creating Artful Short Documentary Films explores what is unique about the short-form documentary and guides the reader through the process - from ideation to completion and distribution.
Both politically and aesthetically, the contemporary German and Austrian film landscape is a far cry from the early days of the medium, when critics like Siegfried Kracauer produced foundational works of film theory amid the tumult of the early twentieth century.
This in-depth look at Hollywood director King Vidor's complex career follows Vidor from his first attempts to rival Hollywood in his home state of Texas through his fifty-year-long struggle with the "e;classic"e; Hollywood studio system.
This in-depth look at Hollywood director King Vidor's complex career follows Vidor from his first attempts to rival Hollywood in his home state of Texas through his fifty-year-long struggle with the "e;classic"e; Hollywood studio system.
Abjection and Representation is a theoretical investigation of the concept of abjection as expounded by Julia Kristeva in Powers of Horror (1982) and its application in various fields including the visual arts, film and literature.
As partisan attacks have become increasingly bitter in American politics, contemporary culture has found ways to channel this outrage into the outrageous, responding with comedy and satire from both sides of the political spectrum.
Rudolf Harms entwickelt seine reich differenzierte Ästhetik des Films in Anlehnung an die Ästhetik seines Lehrers Johannes Volkelt und sucht deren auf Kant zurückgehende Polarität des Schönen und Erhabenen für das Verständnis des neuen Mediums fruchtbar zu machen.
The 21st-century has witnessed rapid advances in artificial intelligence, giving rise to a society at once hopeful but also mistrustful of the possibilities that this technology offers.
This collection investigates how Hayao Miyazaki, Isao Takahata, and other Studio Ghibli storytellers have approached the process of reimagining literary sources for animation.
The Contemporary American Survival Film investigates and breaks down the contemporary American Survival Film (from Cast Away onwards), focusing on film, television, literature and video games.
The Contemporary American Survival Film investigates and breaks down the contemporary American Survival Film (from Cast Away onwards), focusing on film, television, literature and video games.
Explore an A-Z of everything you need to know about the masterful movies of Quentin Tarantino, from AK-47 to "e;Zed's dead, baby"e; and everything in between.
The Film in National Life (1932) is the report by the Commission on Educational and Cultural Films, established in 1929, that aimed to establish a position on the treatment of film constructively in the interests of education in its widest sense.
The Film in National Life (1932) is the report by the Commission on Educational and Cultural Films, established in 1929, that aimed to establish a position on the treatment of film constructively in the interests of education in its widest sense.
Bringing together work from established and emerging scholars and practitioners from around the world, this collection expands existing scholarship on cinemas of the Sinosphere by revealing forgotten and emerging aspects of film history.
A classic of feminist avant-garde cinema, Laura Mulvey and Peter Wollen's Riddles of the Sphinx (1977) follows the life of Louise (Dinah Stabb), a white middle-class woman living in London in the 1970s, as she confronts the complex politics of motherhood, domestic labour and work.
Bringing together work from established and emerging scholars and practitioners from around the world, this collection expands existing scholarship on cinemas of the Sinosphere by revealing forgotten and emerging aspects of film history.
A classic of feminist avant-garde cinema, Laura Mulvey and Peter Wollen's Riddles of the Sphinx (1977) follows the life of Louise (Dinah Stabb), a white middle-class woman living in London in the 1970s, as she confronts the complex politics of motherhood, domestic labour and work.
Christian religious imagery and symbolism has a long history in American baseball cinema, from The Busher (1919) to Angels in the Outfield(1994) and present-day movies.
Christian religious imagery and symbolism has a long history in American baseball cinema, from The Busher (1919) to Angels in the Outfield(1994) and present-day movies.
This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek.
100 Queer Films identifies 100 films that shaped the trajectory of queer cinema, connected with larger movements, and showcased the artistry of queer filmmaking.
En este volumen, Ricardo Bedoya ofrece una visión panorámica de ciertos motivos, tendencias estilísticas y tratamientos rastreables en el cine internacional desde el inicio del siglo XXI.
