The vast majority of screenplay and writing books that focus on story development have little to say about the initial concept that inspired the piece.
This book gives detailed and original critical readings of all eleven of Derek Jarman's feature-length films, arguing that he occupies a major and influential place in European and world cinema rather than merely being a cult figure.
This all-new edition of the best-selling guide The TV Showrunner's Roadmap provides readers with the tools for creating, writing, and managing your own hit streaming series.
A Guide to Screenwriting Success, Second Edition provides a comprehensive overview of writing-and rewriting-a screenplay or teleplay and writing for digital content.
Since we first arrived on the planet, we've been telling each other stories, whether of that morning's great saber-tooth tiger hunt or the latest installment of the Star Wars saga.
In the mid-1950s, Swiss-born New Yorker Robert Frank embarked on a ten-thousand-mile road trip across America, capturing thousands of photographs of all levels of a rapidly changing society.
Reframing difference is the first major study of two overlapping strands of contemporary French cinema, cinema beur (films by young directors of Maghrebi immigrant origin) and cinema de banlieue (films set in France's disadvantaged outer-city estates).
Offering unique insights into the writing and production of television drama series such as The Killing and Borgen, produced by DR, the Danish Broadcasting Corporation, Novrup Redvall explores the creative collaborations in writers' rooms and 'production hotels' through detailed case studies of Denmark's public service production culture.
Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track.
Accessible and original analysis of all Jean Renoir's sound films, including those he made in Hollywood - this is the first major study to appear for a number of years and brings new light on some of the director's most celebrated films.
Premiered at the Bush theatre in 1993 Beautiful Thing was released as a feature film by Channel Four films in 1996 directed by Hettie Macdonald and featuring Meera SyalBeautiful Thing explores pre-teenage homo-erotic sensuality and the frictions and intimacies of living cheek by jowl on a Thamesmead housing estate.
From a screenwriting perspective, Batty explores the idea that the protagonist's journey is comprised of two individual yet interwoven threads: the physical journey and the emotional journey.
Most producers and directors acknowledge the crucial role of the screenplay, yet the film script has received little academic attention until recently, even though the screenplay has been in existence since the end of the 19th century.
Most movies include a love story, whether it is the central story or a subplot, and knowing how to write a believable relationship is essential to any writer's skill set.
Focusing on an integral aspect of screenplays, this book takes students and writers at all levels through the process of understanding and writing better scenes.
Premiered at the Bush theatre in 1993 Beautiful Thing was released as a feature film by Channel Four films in 1996 directed by Hettie Macdonald and featuring Meera SyalBeautiful Thing explores pre-teenage homo-erotic sensuality and the frictions and intimacies of living cheek by jowl on a Thamesmead housing estate.
Alan Ball: Conversations features interviews that span Alan Ball's entire career and include detailed observations and insights into his Academy Award-winning film American Beauty and Emmy Award-winning television shows Six Feet Under and True Blood.
Carnival Texts comprises three related dramatic works, all of which have as their point of departure Russian theorist Mikhail Bakhtin's concept of carnival, a literary style designed to subvert dominant assumptions through chaos and humour.
As entertaining as it is enlightening, Creating Dialogue for TV: Screenwriters Talk Television presents interviews with five Hollywood professionals who talk about all things related to dialogue - from naturalistic style to the building of characters to swearing and dialect.
Ethics in Screenwriting: New Perspectives is a book that breaks new ground by forging a link between screenwriting research and a burgeoning interest in film, media, and narrative ethics.
This book discusses spaces of performance from formal opera houses to parks and graffiti around the world and is a companion to Theatre in Passing: A Moscow Photo-Diary.
Designed for philosophers as well as readers with no particular philosophical background, the essays in this lively book are grouped into four amusing acts.
An Education is Nick Hornby's Oscar-nominated screenplay of Lynn Barber's lifeBased on Lynn Barber's extraordinary memoir, An Education is set in the early 1960s and tells the story of a sixteen-year-old English girl's encounter and relationship with a charming older man who is much more, and much less, than he says he is.
McGee studies historical representation in commodified, popular cinema as expressions of historical truths that more authentic histories usually miss and argues for the political and social significance of mass culture through the interpretation of four recent big-budget movies: Titanic, Gangs of New York, Australia, and Inglourious Basterds .
A sharp, funny book about comedy screenwriting from a successful screenwriter that uses recent - as in this century - movies you've actually seen as examples.
'We'll always have Paris,' Humphrey Bogart assures Ingrid Bergman in the oft-quoted farewell scene from Casablanca in which Bogart's character, hard-hearted restaurateur Rick Blaine, bids former lover Ilsa Lund goodbye.