The Collaborative Director: A Department-by-Department Guide to Filmmaking explores the directorial process in a way that allows the director to gather the best ideas from the departments that make up a film crew, while making sure that it is the director's vision being shown on screen.
The Architecture of Cinematic Spaces by Interiors is a graphic exploration of architectural spaces in cinema that provides a new perspective on the relationship between architecture and film.
This is a comprehensive journey through the long career of auteur Hollywood filmmaker Walter Hill, director of The Driver, The Warriors, Southern Comfort, 48 Hrs.
The newly-revised and updated fourth edition of Grammar of the Shot teaches readers the principles behind successful visual communication in motion media through shot composition, screen direction, depth cues, lighting, camera movement, and shooting for editing.
This volume surveys the key histories, theories and practice of artists, musicians, filmmakers, designers, architects and technologists that have worked and continue to work with visual material in real time.
Film on Video: A Practical Guide to Making Video Look like Film is an accessible guide to making video captured on a camcorder, DSLR camera, smartphone, action camera or cinema camera look like it was shot on motion-picture celluloid film.
Hollywood's conversion from silent to synchronized sound film production not only instigated the convergence of the film and music industries but also gave rise to an extraordinary period of songs in American cinema.
Storytelling for Virtual Reality serves as a bridge between students of new media and professionals working between the emerging world of VR technology and the art form of classical storytelling.
Music plays an integral role in the experience of film, television, video games, and other media-yet for many directors, producers, and media creators, working with music can be a baffling and intimidating process.
Whether it's a crew of two hundred shooting a cast of thousands on horseback, or a crew of twelve filming one person in a room, each and every successful movie production requires a strong First Assistant Director (AD) at its helm.
In Lessons from The Maestro: Crafting a Successful Fight/Stunt Career in Theatre and Film, famed Hollywood and theatre stuntman, trainer, and fight director David L.
Making the Cut at Pixar is an interactive book written by industry insiders Bill Kinder and Bobbie O'Steen about the central role the Pixar editor plays in some of the most critically acclaimed and successful movies of all time.
This book is an accessible guide, directed towards filmmakers with restricted resources and shortened schedules, who want to ensure their creation of riveting, fresh, and exciting projects.
This revised edition of Understanding the Business of Media Entertainment is an indispensable guide to the business aspects of the entertainment industry, providing the information you need to break in and to succeed.
This book examines the challenges often experienced by film practitioners who find themselves researching within the academy, either as students or academics.
Basics Film-Making: Directing Fiction introduces the essential aspects of the directorial process, focusing on the requirements of short films while also drawing on classic examples from the world of feature films.
Innovating the Design Process: A Theatre Design Journey explores the process of designing for theatre and details how each part of a designer's own process, no matter what their design specialization, can be innovated and adapted for a more confident journey and for better outcomes.
Tapping experts in an industry experiencing major disruptions, The Movie Business Book is the authoritative, comprehensive sourcebook, covering online micro-budget movies to theatrical tentpoles.
In the expanded second edition of Fine Cuts, Roger Crittenden reveals the experiences of the greatest European film editors through his warm and perceptive interviews.
The Art and Craft of TV Directing offers a broad and in-depth view of the craft of TV Directing in the form of detailed interviews with dozens of the industry's most accomplished episodic television directors.
The cinematographer must translate the ideas and emotions contained in a script into something that can be physically seen and felt onscreen, helping the director to fulfil the vision of the film.
As a part of an extensive exploration, Reimagining Communication: Action investigates the practical implications of communication as a cultural industry, media ecology, and a complex social activity integral to all domains of life.
Adventurous Film Making (1980) looks at some more ambitious and interesting techniques and shows how these serve film makers in expressing their ideas.
Secrets of Screen Directing: The Tricks of the Trade is a practical guide which bridges the gap between classroom learning and the realities of being on a set.
A refreshing new practical approach to documentary filmmaking, Get Close: Lean Team Documentary Filmmaking equips new and veteran filmmakers with the knowhow to make artistically rewarding documentaries for less money, less hassle, and less time.
Lighting for Televised Live Events unlocks the science, art, philosophies, and language of creating lighting for live entertainment and presentations that work for the television camera as well as for the live audience.