This book presents a compelling case for a paradigmatic shift in the analysis of television drama production that recentres questions of power, control and sustainability.
Most producers and directors acknowledge the crucial role of the screenplay, yet the film script has received little academic attention until recently, even though the screenplay has been in existence since the end of the 19th century.
Steven Spielberg has fashioned an enviable career as a writer, producer, and director of American motion pictures, winning Academy Awards for Best Direction (Saving Private Ryan, Schindler's List), and for Best Film (Schindler's List).
Part memoir, part primer, part cautionary tale, this book takes the reader along on a filmmaker's 12-year journey through Hollywood Hell, culminating in the movie Angels In Stardust (2016), starring Alicia Silverstone, AJ Michalka and Billy Burke.
Devoted to his craft--sometimes to the detriment of his reputation--cinematographer John Alton (1901-1996) was sought after by such directors as Vincente Minnelli, Richard Brooks and Anthony Mann but was disdained by others of comparable talent.
Throughout his directorial career, Clint Eastwood's movies have presented sympathetic narratives of characters enduring personal trauma as they turn to violence to survive calamity or sustain social order--a choice that leaves them marginalized rather than redeemed.
This is a comprehensive journey through the long career of auteur Hollywood filmmaker Walter Hill, director of The Driver, The Warriors, Southern Comfort, 48 Hrs.
Between his 1962 debut A Knife in the Water and the 1968 blockbuster Rosemary's Baby, Roman Polanski directed three movies-Repulsion, Cul-de-Sac, and Dance of the Vampires (a.
An academically acclaimed and globally celebrated cultural critic, Hamid Dabashi is the Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University.
Costume, Makeup and Hair reveals how these three crafts have continually adapted to new conditions, making the transitions from stage to screen, from monochrome to colour, and from analog to digital.
This volume engages new films and modes of scholarly research in Arab cinema, and older, often neglected films and critical topics, while theorizing their structural relationship to contemporary developments in the Arab world.
This book philosophically and creatively examines ways in which independent filmmakers may explore, through practice, the discovery and development of a personal voice in the making of their films.
This book examines the challenges often experienced by film practitioners who find themselves researching within the academy, either as students or academics.
This groundbreaking edited collection is the first major study to explore the intersection between cognitive theory and documentary film studies, focusing on a variety of formats, such as first-person, wildlife, animated and slow TV documentary, as well as docudrama and web videos.
This book examines television drama in the age of streaming-a time when television has been reshaped for national and international consumption via both linear 'flow' and on-demand user modes.
This book presents three interrelated essays about cinematography which offer a theoretical understanding of the ways that film practitioners orchestrate light in today's post-digital context.
Aimed at students and educators across all levels of Higher Education, this agenda-setting book defines what screen production research is and looks like-and by doing so celebrates creative practice as an important pursuit in the contemporary academic landscape.
This book explores contemporary approaches to mobile storytelling, with contributions covering mobile education, news and screen storytelling, creative practice research, and the impact on vulnerable communities and social innovation.
This book takes readers on a series of stimulating intellectual journeys from the late nineteenth century to the contemporary era to explore notions of modernity in the production and reception of the African moving image and of African archival practices.
Whether you are working using text, graphics, photography, sound, motion, or video, Multimedia Foundations covers the skills necessary to be an effective modern storyteller.
Whether you are working using text, graphics, photography, sound, motion, or video, Multimedia Foundations covers the skills necessary to be an effective modern storyteller.
Explore the worlds of a galaxy far, far away with incredible cross-sections, featuring 9 years' worth of new content from Star Wars films and TV series.
This newly revised and updated fifth edition of Grammar of the Edit will teach anyone who needs to use video as a communication tool how to show more effective visual stories.
This edited volume offers a wide-ranging picture of Argentine women filmmakers' contribution to the film industry from the 1980s to the present by bringing together the work of highly acclaimed and emerging directors.