Whether you are already a seasoned director or simply a film fan, this comprehensive guide features everything you need to know to make a digital film: from the basics of capturing footage and planning a shoot, to the more advanced aspects of editing and post-production.
How do the suspense films of Alfred Hitchcock, Orson Welles, and Carol Reed allow us special insight into the popular mentality of their contemporaries--contemporaries who went to war against the forces of Adolf Hitler?
Jim and Elaine Larison spent years studying, exploring, and living in wild places, making more than thirty environmental films, most for the National Geographic Society.
Practical up-to-date advice for the aspiring director, producer, or screenwriter This third edition prepares independent or guerrilla filmmakers for the legal, financial, and organizational questions that can doom a project if unanswered.
Producing and Directing the Short Film and Video, Sixth Edition is the definitive book on producing and directing short films for the serious film student or beginner filmmaker.
This book is the first dedicated edited collection that explores the virtualisation of screen-making processes from pre-production to post-production, while attuning to the aesthetic, ideological and performative contexts upended by these integrated technologies.
This book establishes the profound significance of MGM's 1940 film The Mortal Storm, the first major Hollywood production to depict the plight of Jews in Germany before the Holocaust.
Here it is: the first-time look at the remarkable American multinational mass media empire and its century of entertainmentthe story of Twentieth Century Fox (19152015).
Inside every person, as timid as they might seem, dwells a being who feels curious about or enjoys watching themselves naked in erotic situations, whether its alone or with a partner.
Throughout film history, one of the fundamental fantasies portrayed on screen has been the kind of physical action few of us could ever experience in real life.
Throughout film history, one of the fundamental fantasies portrayed on screen has been the kind of physical action few of us could ever experience in real life.
Martin Scorsese directs films that range from the subtlest studies of relationships to violent gangster movies, with characters who are driven to the extremes of their personality.
This second edition of Cut by Cut: Editing Your Film or Video covers the current landscape of postproduction process, taking the reader step by step through the editor's journey from receiving dailies to delivering on film, tape, file, or disk for YouTube, cinema, Blu-ray, or TV.
The first half of this book is devoted to teaching a systemized approach that can be used to design the very best moving shot for any dialogue scene, no matter how complex or long.
Gain the skills you need to succeed in the television industry and master the production process, from shooting and producing, to editing and distribution.
This book establishes the profound significance of MGM's 1940 film The Mortal Storm, the first major Hollywood production to depict the plight of Jews in Germany before the Holocaust.
Today's instantaneous and ever-present news stream frequently presents a sensationalized or otherwise distorted view of the world, demanding constant critical engagement on the part of everyday citizens.
A motion picture chronicling the last adventures of bank robber John Dillinger (Johnny Depp), Public Enemies was met with much bafflement upon its 2009 release.
This volume is the first to examine, in either French or English, the films of Jean-Jacques Beineix, often seen as the best example of the 1980s cinema du look, with cult films, such as Diva and Betty Blue (37 2 le matin).
Accessible and original analysis of all Jean Renoir's sound films, including those he made in Hollywood - this is the first major study to appear for a number of years and brings new light on some of the director's most celebrated films.
'Georges Franju' is the fullest study to date of this little-known French director, the co-founder of the Cinematheque francaise, and the first book on him in English since 1967.
Auteurism - the idea that a director of a film is its source of meaning and should retain creative control over the finished product - has been one of film studies' most important paradigms ever since the French New Wave of the late 1950s and early 1960s, and the adoption of the term auteur by Andrew Sarris.
Few filmmakers have taken the principle of the 'talking picture' so far as Eric Rohmer, the internationally reknowned director of the Moral Tales, Comedies and Proverbs, and Tales of the Four Seasons cycles.
Alain Resnais, director of 'Hiroshima mon amour' (1959) and 'L'Annee derniere a Marienbad' (1961), has transformed the representation of memory, fantasy and desire in modern cinema.
The book explores how we understand global conflicts as they relate to the "e;European refugee crisis"e;, and draws on a range of empirical fieldwork carried out in the UK and Italy.
The book explores how we understand global conflicts as they relate to the "e;European refugee crisis"e;, and draws on a range of empirical fieldwork carried out in the UK and Italy.
