Filmmaking and production: technical and background skills

Die szenische Auflösung eines Filmes ist ein kreativer Vorgang, der dem eigenen Geschmack und dem individuellen Stil der Kamerafrau/des Kameramannes bzw.

Evaluating the existing position of film as research, Filmmaking in Academia offers clear guidance and practical advice from the planning and conception of research films to the making, evaluation, dissemination and impact of practice-based research.

Throughout cinema, there have been various techniques to depict motion, and one style in particular is the fascinating use of smears in animation.

In Search of Marie-Antoinette in the 1930s follows Austrian biographer Stefan Zweig, American producer Irving Thalberg, and Canadian-American actress Norma Shearer as they attempt to uncover personal aspects of Marie-Antoinette's life at the French court in the late eighteenth-century and to dramatize them in biography, cinema, and performance for public consumption during the 1930s.

This fully revised and updated fourth edition of Motion Picture and Video Lighting explores the technical, aesthetic, and practical aspects of lighting for film and video.

Storytelling for Virtual Reality serves as a bridge between students of new media and professionals working between the emerging world of VR technology and the art form of classical storytelling.

Create complex composites with Blackmagic Fusion.

By examining three case studies of award-winning soundtracks from cult films-Barton Fink (1991), Bram Stoker's Dracula (1992), and The English Patient (1996)-it becomes clear that major American film communities, when confronted with the initial technological changes of the 1990s, experienced similar challenges with the inelegant transition from analogue to digital.

Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences.

This volume brings together writing on the topic of home media, and in particular releases described as appealing to 'cult' fans and audiences.

Since the release of his breakout film Irreversible in 2002, Gaspar Noe (b.

Combining essays and interviews with editors from film and television, this collection explores the business side of film editing.

This revised edition of Understanding the Business of Media Entertainment is an indispensable guide to the business aspects of the entertainment industry, providing the information you need to break in and to succeed.

The DSLR cinema revolution began over ten years ago.

Part handbook, part classroom this book has everything you need to make your story a reality.

Basics Film-Making 01: Producing introduces the reader to the role of the producer.

A Choice Outstanding Academic Title, 2011.

Das vorliegende Buch beschäftigt sich mit der Darstellung indigener und ethnischer Minderheiten anhand medialen ethnischen Humors und ihrer Rezeption in Lateinamerika und Europa (Argentinien, Bolivien und Deutschland).

Of all the elements that combine to make movies, music sometimes seems the forgotten stepchild.

Sound Design for Moving Image offers a clear introduction to sound design theory and practice to help you integrate sound ideas into your productions.

This book explores contemporary approaches to mobile storytelling, with contributions covering mobile education, news and screen storytelling, creative practice research, and the impact on vulnerable communities and social innovation.

Charles Urban was a renowned figure in his time, and he has remained a name in film history chiefly for his development of Kinemacolor, the world's first successful natural colour moving picture system.

Virtual Reality Filmmaking presents a comprehensive guide to the use of virtual reality in filmmaking, including narrative, documentary, live event production, and more.

Today's technologies and economic models won't settle for a conventional approach to filmmaking.

South African film culture, like so much of its public life, has undergone a tremendous transformation during its first decade of democracy.

Born into a family of vaudevillians, Buster Keaton made his first film appearance in 1917 at the age of 21.

In the 1970s, British filmmaker Ken Russell (1927-2011) quickly gained a reputation as the enfant terrible of British cinema.

Beyond the principles of reduce, reuse, recycle, this book looks at how every department on a production can minimize its environmental impact.

Die Regisseure und Autoren Christian Mertens und Bartosz Werner widmen sich in der 2.

Documentary Resistance: Social Change and Participatory Media offers a new approach to understanding the networked capacity of documentary media to create public commons areas, crafting connections between unlikely interlocutors.

Editing and Montage in International Film and Video presents a theoretical and practical approach to the art of editing.

In this much needed examination of Mike Leigh, Sean O'Sullivan reclaims the British director as a practicing theorist--a filmmaker deeply invested in cinema's formal, conceptual, and narrative dimensions.

Writing on the relationship between war and cinema has largely been dominated by an emphasis on optics and weaponised vision.

Shoot, Edit, Share is an interactive, accessible introduction to video production techniques, concepts, and terminology.

Create complex composites with Blackmagic Fusion.

This pioneering work equips you with the skills needed to create and design powerful stories and concepts for interactive, digital, multi-platform storytelling and experience design that will take audience engagement to the next level.

This book tells the story of diverse online creators - women, ethnic and racial minorities, queer folk and those from hardscrabble backgrounds - producing low budget, high cultural impact web-series which have disrupted longstanding white male domination of the film and TV industries.

This cross-disciplinary collection provides the first comprehensive study of library music practices in the 1960s and 1970s.

The films of John Waters (b.

David A.

Now updated--the step-by-step secrets to capturing great moments on film With all the recent advancements in filmmaking technology, more people than ever are trying their hand at filmmaking.

A structured perspective on the crucial interface of director and screenplay, this book encompasses twenty-two seminal aspects of the approach to story and script that a director needs to understand before embarking on all other facets of the director's craft.

The 1990s were a time of dramatic transformation for Cuba.

This volume brings together writing on the topic of home media, and in particular releases described as appealing to 'cult' fans and audiences.

This book presents a compelling case for a paradigmatic shift in the analysis of television drama production that recentres questions of power, control and sustainability.

From iMovie to Final Cut Pro X offers an accessible, introductory guide to those taking up video editing using Final Cut Pro X, especially users making the transition from iMovie, Apple's free video software, helping aspirational and mobile filmmakers develop the skills needed to take their career to the next stage.

John Lasseter zählt zu den Protagonisten einer der weitreichendsten Erneuerungen der Filmwelt in den letzten Jahrzehnten: Mit "Toy Story" schuf der ›chief creative officer‹ der Walt Disney Corporation - zusammen mit einem großen Team - den ersten komplett in 3-D-animierten Spielfilm.

The tools for independent filmmaking are more accessible today than ever.