An acclaimed memoir from an American cinema maverick and Academy Award-winning director of such legendary films as The French Connection and The Exorcist.
Award-winningfilm historian Patrick McGilligan follows hisacclaimed biographies of Alfred Hitchcock and Oscar Micheauxwith a revelatory look at the life of Nicholas Ray, the troubled director of Ina Lonely Place, We Cant GoHome Again, and Rebel Without a Cause.
Complete with behind-the-scenes diary entries from the set of Vachon's best-known fillms, Shooting to Kill offers all the satisfaction of an intimate memoir from the frontlines of independent filmmakins, from one of its most successful agent provocateurs -- and survivors.
The hilarious, implausible, and touching story of twin brothers accomplishing the impossible-making a feature film (with a cast and crew with 11 Academy Awards and 26 nominations) with no experience, no money and no contacts.
From the New York Times to Gawker, a behind-the-scenes look at how performance analytics are transforming journalism today-and how they might remake other professions tomorrowJournalists today are inundated with data about which stories attract the most clicks, likes, comments, and shares.
The Sublimity of Document: Cinema as Diorama is a collection of in-depth, substantive interviews with moving-image artists working "e;avant-doc, that is, making films that explore the territory between documentary and experimental cinema.
The Sublimity of Document: Cinema as Diorama is a collection of in-depth, substantive interviews with moving-image artists working "e;avant-doc, that is, making films that explore the territory between documentary and experimental cinema.
Foreword by John BoyegaJust in time for the next blockbuster, Star Wars: The Last Jedi, this unique and beautifully designed compendium with removable features traces one of the franchises most iconic charactersthe stormtrooperfrom initial development through all nine Star Wars movies to their many iterations in TV, comics, videogames, novels, and pop-culture.
The host of the podcast You Must Remember This explores Hollywood's golden age via the cinematic life of Howard Hughes and the women who encountered him.
Accompanying The Metaverse: A Critical Introduction in CRC Press' new The Metaverse Series, this book explores the ways in which the Metaverse can be used for education and learning, as well as how it is different from virtual reality (VR) application development.
The Costumes of Hollywood details the design, creation, and influence of over 100 ensembles from some of the most iconic designers, films, and roles in Hollywood history, spanning the 1920s through the early 21st century.
Sound Design for the Visual Storyteller is an overview of the sound design process for the beginner filmmaker or storyteller, providing the foundational knowledge needed to succeed at utilizing and designing sound for visual stories, films, and even podcasts.
Since his explosive debut with the indie sensation Hard Eight , Paul Thomas Anderson has established himself as one of contemporary cinema's most exciting artists.
Acclaimed as one of the most influential and innovative American directors, Francis Ford Coppola is also lionized as a maverick auteur at war with Hollywood's power structure and an ardent critic of the postindustrial corporate America it reflects.
Called the most important British filmmaker of his generation, Terence Davies made his reputation with modern classics like Distant Voices, Still Lives and The Long Day Closes, personal works exploring his fractured childhood in Liverpool.
Consider the usual view of film noir: endless rainy nights populated by down-at-the-heel boxers, writers, and private eyes stumbling toward inescapable doom while stalked by crooked cops and cheating wives in a neon-lit urban jungle.
Commanding a cult following among horror fans, Italian film director Dario Argento is best known for his work in two closely related genres, the crime thriller and supernatural horror, as well as his influence on modern horror and slasher movies.
A key figure in the ongoing legacy of modern cinema, David Lynch designs environments for spectators, transporting them to inner worlds built by mood, texture, and uneasy artifice.
As a pioneer of the French New Wave, Jacques Rivette was one of a group of directors who permanently altered the world's perception of cinema by taking the camera out of the studios and into the streets.
In this much needed examination of Mike Leigh, Sean O'Sullivan reclaims the British director as a practicing theorist--a filmmaker deeply invested in cinema's formal, conceptual, and narrative dimensions.
In eleven feature films across two decades, Christian Petzold has established himself as the most critically celebrated director in contemporary Germany.
The first major English-language study of Jarmusch At a time when gimmicky, action-driven blockbusters ruled Hollywood, Jim Jarmusch spearheaded a boom in independent cinema by making now-classic low-budget films like Stranger than Paradise, Down by Law, and Mystery Train.
For a director who has made a limited number of feature films over four-plus decades, Terrence Malick sustains an extraordinary reputation as one of America's most original and independent directors.
Nicole Brenez argues for Abel Ferrara's place in a line of grand inventors who have blurred distinctions between industry and avant-garde film, including Orson Welles, Monte Hellman, and Nicholas Ray.
A new take on an eclectic and controversial director James Morrison's critical study offers a comprehensive and critically engaged treatment on Roman Polanski's immense body of work.
For well over a decade, Jean-Pierre and Luc Dardenne have produced highly original and ethically charged films that immerse their audiences in an intense and embodied viewing experience.
This survey of Sally Potter's work explores her cinematic development from the feminist reworking of La Boheme in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes.
In this book, Peter Brunette analyzes the theatrical releases of Austrian film director Michael Haneke, including The White Ribbon, winner of the 2009 Palme d'Or at the Cannes Film Festival.
This in-depth study of Mexican film director Alejandro Gonzalez Inarritu explores his role in moving Mexican filmmaking from a traditional nationalist agenda towards a more global focus.
