This work is a detailed portrait of one of the most important, bustling and absurd industries that cinema has ever known: colorful essays and nine career-spanning interviews with Italian genre directors of the 1970s, such as Luigi Cozzi, Francesco Barilli, Lamberto Bava and more.
The present book aims to explore how the perpetrator of crimes against humanity is represented in recent documentary films in different sociocultural contexts around the world.
The newly revised and updated fifth edition of Grammar of the Shot teaches readers theoretical principles behind successful visual communication in motion media through discussions of shot composition, depth cues, lens choices, lighting, screen direction, camera movement, and shooting for editing.
The newly revised and updated fifth edition of Grammar of the Shot teaches readers theoretical principles behind successful visual communication in motion media through discussions of shot composition, depth cues, lens choices, lighting, screen direction, camera movement, and shooting for editing.
Taking a cross-media approach to the ever-changing field of digital storytelling, this book offers an essential introduction to producing and editing interactive storytelling content, and to the platforms that host it.
Taking a cross-media approach to the ever-changing field of digital storytelling, this book offers an essential introduction to producing and editing interactive storytelling content, and to the platforms that host it.
Dwight Little's Hollywood career includes directing and producing major motion pictures for multiple studios, acclaimed television series and even video games.
Volume 3 of A History of Early Film examines critical responses to early cinema, including the impassioned thoughts of one of the first film critics, the American poet Vachel Lindsay and considers some contemporary judgements of the social aspects of moving pictures.
An essential introduction to the complexities of visual representation, this book offers a critical new framework for understanding and practicing photojournalism in a global digital context.
Global Film Policies challenges conventional analyses of film policy as a stand-alone public policy confined within national boundaries and usually focused on supports for film production.
This book, written by industry experts, provides a comprehensive understanding of virtual production processes, concepts, and technology - helping readers get to grips with this nascent technology.
This book, written by industry experts, provides a comprehensive understanding of virtual production processes, concepts, and technology - helping readers get to grips with this nascent technology.
This often-startlingly original book introduces a new way of thinking about color in film as distinct from existing approaches which tend to emphasize either technical processes and/or histories of film coloration, or the meaning(s) of color as metaphor or symbol, or else part of a broader signifying system.
Jim and Elaine Larison spent years studying, exploring, and living in wild places, making more than thirty environmental films, most for the National Geographic Society.
Volver a pensar la idea de lenguaje cinematográfico implica reconsiderar algunos aspectos de la historia del cine en sus paulatinas combinaciones desde la máquina específica electromecánica y foto química original a sus paulatinas combinaciones, reemplazos y simulaciones por las tecnologías electrónicas y digitales.
When "e;talking"e; pictures first appeared in cinema theaters in the late 1920s, films about newspaper journalists quickly became a Hollywood mainstay.
Today's instantaneous and ever-present news stream frequently presents a sensationalized or otherwise distorted view of the world, demanding constant critical engagement on the part of everyday citizens.
From the New York Times to Gawker, a behind-the-scenes look at how performance analytics are transforming journalism today-and how they might remake other professions tomorrowJournalists today are inundated with data about which stories attract the most clicks, likes, comments, and shares.
As a pioneer of the French New Wave, Jacques Rivette was one of a group of directors who permanently altered the world's perception of cinema by taking the camera out of the studios and into the streets.
From the colonial era to the onset of the Civil War, Magazines and the Making of America looks at how magazines and the individuals, organizations, and circumstances they connected ushered America into the modern age.
From the acclaimed author of Immigrant, Montana comes a one-of-a-kind novel about memory, politics, a world of lies, and the ways in which truth can be not only stranger than fiction, but a fiction of its own.
With the advent of advanced hand-held technology and the widespread nature of the Internet, the world of animated filmmaking is more exciting and accessible than ever.
This collection of iconic interviews helps demystify the documentary filmmaking process by deconstructing the most relevant and important scenes in some of today's most well-known documentary films.
This collection of iconic interviews helps demystify the documentary filmmaking process by deconstructing the most relevant and important scenes in some of today's most well-known documentary films.
Dieser Band dokumentiert die Ergebnisse eines Workshops, der verschiedene Kulturwissenschaften mit Filmpraktikern sowie Kinoarchivaren und Ausstellungsmachern in ein Gespräch über Storyboards zusammenbrachte.
Now in paperback in time for the 60th anniversary of the film version Breakfast at Tiffanys the New York Times bestseller and first-ever complete account of Audrey Hepburn and the making of the film that Janet Maslin called a bonbon of a book filled with delightful anecdotesWith a cast of characters that includes Audrey Hepburn, Truman Capote, and Gerald Clarke, this book offers a slice of social history seen through the lens of one of Americas most iconic films The images of Breakfast at Tiffanys are branded into our collective memory: we can see Audrey Hepburn stepping out of that cab on the corner of 57th and 5th, and we can picture her again with George Peppard, huddled in an alleyway and wrapped in a kiss, as the rain pours down around them.
