This book explores the impact of digital technology on the essay film in the early 21st century, arguing that the cinematic essay has been associated with technological evolution throughout its history.
This book looks at the translations which appeared in the Philosophical Transactions and whose source texts had appeared in the Journal des Scavans during the period 1665 to 1700.
This book looks at the translations which appeared in the Philosophical Transactions and whose source texts had appeared in the Journal des Scavans during the period 1665 to 1700.
This book examines how documentary film responded to the methods and controversies associated with radical psychiatry, especially during the long 1960s.
This book examines how documentary film responded to the methods and controversies associated with radical psychiatry, especially during the long 1960s.
This book compares the ways in which the national media in two different countries construct (frame) and develop the image of the religious other, in this case Muslims in all their variety.
Screens Producing and Media Operations, Second Edition offers an expert guide to managing video content across live events, installations, and virtual production environments.
With just eight feature films to date, Sofia Coppola has crafted a distinctive hyper-feminine aesthetic, establishing herself as one of the world's finest directors.
Die filmischen Phanomene Schwarzbild, Schwarzkader oder Schwarzfilmstreifen und die durch sie erzeugte schwarze Leinwand, die Black Screen, begleiten das Medium von Anfang an und eroffnen uberraschende Einsichten.
The experience of going to the movies, be it a single screen theater, twin, multiplex or drive-in, is affected by many different factors that have shifted over the years.
Master the critical tools for understanding media in today s fast-evolving digital landscape Critical Media Studies: An Introduction for the Digital Age provides students with a powerful framework for analyzing the impact of media on knowledge, attitudes, and behaviors.
Navigating a polarized society in their representation of social values, twenty-first-century horror films critically frame conflicting and divisive ideological issues.
Navigating a polarized society in their representation of social values, twenty-first-century horror films critically frame conflicting and divisive ideological issues.
This book is the first monograph to critically evaluate the work of the literary scholar Rene Girard from the perspectives of Law and Literature and Law and Film Studies, two of the most multidisciplinary branches of critical legal theory.
This book is the first monograph to critically evaluate the work of the literary scholar Rene Girard from the perspectives of Law and Literature and Law and Film Studies, two of the most multidisciplinary branches of critical legal theory.
This book argues that the production of media content, literature, and other forms of popular culture by Indigenous peoples (IPs), as well as their involvement as advisors, sources, or interviewees, serves as a platform for them not only to showcase their creativity but also to mediate their cultures, identities, worldviews, and activism.
This book argues that the production of media content, literature, and other forms of popular culture by Indigenous peoples (IPs), as well as their involvement as advisors, sources, or interviewees, serves as a platform for them not only to showcase their creativity but also to mediate their cultures, identities, worldviews, and activism.
This book shows that screens don't just distribute the visible and the invisible, but have always mediated our body's relationships with the physical and anthropological-cultural environment.
This book shows that screens don't just distribute the visible and the invisible, but have always mediated our body's relationships with the physical and anthropological-cultural environment.
In Indigenous North American film Native Americans tell their own stories and thereby challenge a range of political and historical contradictions, including egregious misrepresentations by Hollywood.
This book brings together scholars from Europe, Latin America and the United States in a shared effort to assess the critical potential of the transnational paradigm for Spanish and Latin American cinema.
