Billy Wilder's classic screwball comedy Some Like it Hot (1959), starring Jack Lemmon, Tony Curtis and Marilyn Monroe, tells the story of two struggling Jazz musicians who accidentally witness a mob massacre in Chicago who then, disguised as women, join a female band to escape the gangsters' pursuit.
Dieses Buch untersucht, wie phänomenologische Ansätze zu den Themen Verleiblichung, Wahrnehmung und gelebte Erfahrung innerhalb der Disability Studies, der Critical Race Theory und der Queer Studies diskutiert werden.
Reception studies have made film audiences increasingly visible, while surveys track trends and policymakers gather information about audience preferences and demographics.
In what innovative ways are women documentary filmmakers seeking to prioritize and promote political awareness, alternative modes of allyship, and advocacy for those most marginalized by patriarchy and global capitalism?
Investigating the widespread but understudied presence of the Persephone myth within 21st-century young adult literature, Cristina Salcedo Gonz lez analyses six young adult novels which incorporate a reworking of this ancient Greek myth.
Si hay algo que ha caracterizado al surrealismo, sea que estemos hablando de poesía, fotografía, cine o artes plásticas, es el interés por la exploración del cuerpo, de las figuras que lo representan.
Perdone que piense es un cielo, una butaca, un libro, unos personajes, una raqueta con cordajes de piel, una politica, pinceladas de una sociedad que es ahora y que no sabemos que sera en un futuro.
This enormous and exhaustive reference book has entries on every major and minor director of science fiction films from the inception of cinema (circa 1895) through 1998.
Global London on screen presents a melange of films by directors from the Global South and North, portraying everyday life to the more fantastical, odious, or extraordinary in terms of circumstances as captured cinematically in this superdiverse city.
This book uniquely bridges the conceptual gap between the history of geographic, cartographic thought, and film theory with the technological and cultural shifts that shaped the emergence of cameras and cinema.
Dieses E-Book ist Teil einer zwölfbändigen Reihe, die die Geschichte des deutschen Films anhand der Sammlungsbestände der Deutschen Kinemathek von den Anfängen im Jahr 1895 bis zur Gegenwart dokumentiert.
