Within the realm of American culture and its construction of its citizenry, geography, and ideology, who are southerners and who are queers, and what is the South and what is queerness?
This handbook fills a substantial gap in the international academic literature on animation at large, on music studies, and on the aural dimensions of Japanese animation more specifically.
*EXCLUSIVE FOREWORD BY WES ANDERSON*Accidentally Wes Anderson is back with 200 brand new, mind-bendingly beautiful destinations for your bucket list, and the fascinating stories behind each location.
This handbook fills a substantial gap in the international academic literature on animation at large, on music studies, and on the aural dimensions of Japanese animation more specifically.
Bad Sex traces the evolution of representations of sex on screen, from earlier portrayals of sex as glamorous or taboo, to more complex depictions of often awkward or painful experiences and feelings.
An accessible, comprehensive overview of contemporary Irish cinema, this book is intended for use as a third-level textbook and is designed to appeal to academics in the areas of film studies and Irish studies.
A toast to curly fries, hot dogs, and hard-shell tacos, Aimee Macphersons guide to the bars and restaurants of Breaking Bad and Better Call Saul celebrates the critically acclaimed shows fusion of Albuquerques real and imagined food and drink.
Marketed as more affordable and safer than film cameras, the Kinora system, launched in 1903, was one of the first amateur filmmaking devices and represents one of the earliest attempts to create a domestic market for moving images.
This book examines issues of censorship, publicity and teenage fandom in 1950s Britain surrounding a series of controversial Hollywood films: The Wild One, Blackboard Jungle, Rebel Without a Cause, Rock Around the Clock and Jailhouse Rock.
In this illuminating volume, Carlos Pitillas and Ismael Martinez-Biurrun provide in-depth analysis of contemporary horror films from a psychoanalytic perspective.
In 1980s India, the Ramsay Brothers and other filmmakers produced a wave of horror movies about soul-sucking witches, knife-wielding psychopaths, and dark-caped vampires.
Bringing together an international and diverse group of scholars, Tuning in to the neo-avant-garde offers the first in-depth study of the radio medium's significance as a site of artistic experimentation for the literary neo-avant-garde in the postwar period.
