Jurgen Bottcher and Documentary Film introduces the reader to this east-German filmmaker who, despite having made 40 films from the east side of the Berlin Wall, is practically unknown.
Graham Greene was one of the most versatile writers of the 20th century, and he remains a figure of particular interest to those concerned with the relationship between literature and cinema.
Eighteenth-century critics believed Gothic fiction would inspire deviant sexuality, instill heretical beliefs, and encourage antisocial violence--this book puts these beliefs to the test.
Environmental ethics presents and defends a systematic and comprehensive account of the moral relation between human beings and their natural environment and assumes that human behaviour toward the natural world can and is governed by moral norms.
Law and Order Special Victims Unit (SVU) is more popular than any other American police procedural television series, but how does its unique focus on sex crimes reflect contemporary popular culture and feminist critique, whilst also recasting the classic crime narrative?
In this updated edition of Corporate Video Production, Stuart Sweetow teaches aspiring and seasoned videographers how to make imaginative corporate videos with eye-catching designs, rhythmic editing tricks, and essential scriptwriting and interview techniques.
Bringing together an expansive range of writing by scholars, critics, historians, and filmmakers, The Documentary Film Reader presents an international perspective on the most significant developments and debates from several decades of critical writing about documentary.
With contributions from noted critics and film historians from both countries, this book, first published in 1994, examines some of the most innovative and disturbing propaganda ever created.
This book investigates representations of Palestinian refugees in Gaza in colonial, humanitarian and Palestinian documentary films, spanning until the 1993 Oslo Agreement.
In this comprehensive handbook author, makeup artist, and educator Christine Sciortino offers a detailed introduction to the conceptual foundations, techniques, and on-set practices of the makeup design process, going beyond technique-centered makeup education to provide an in-depth look at the workings of the film and television world.
Childhood & Adolescence in Anglo-Saxon Literary Culture counters the generally received wisdom that early medieval childhood and adolescence were an unremittingly bleak experience.
Jacques Tati's Monsieur Hulot, unmistakeable with his pipe, brolly and striped socks, was a creation of sheer slapstick genius that made audiences around the world laugh at the sheer absurdity of life.
Ridley Scott, the director of such seminal films as Blade Runner, Alien and Thelma & Louise, is one of the most important directors of the last fifty years.
SHORTLISTED FOR THE SUNDAY TIMES SPORTS BOOK AWARDS 2023 - SPORTS ENTERTAINMENT BOOK OF THE YEARSports Report is as much a 75-year history of sport as a BBC radio institution and Pat Murphy pays handsome tribute to a programme that is still followed affectionately by millions.
Cinematic Encounters with Disaster takes Hollywood's disaster movies and their codified versions of natural disaster, post-apocalyptic survival, and extra-terrestrial threat as the starting point for an analytical trajectory that works toward new understandings of how cinema shapes and informs our conceptions of disaster and catastrophe.
Buster Crabbe's chief claim to fame, aside from his Olympic gold medal (for the 400-meter freestyle event in 1932), rests in the trio of movie serials in which he played the popular science-fiction hero Flash Gordon.
When cameras roll and directors call, "e;Action,"e; some of the most dependable, funniest, and most enthusiastic actors stand poised on four legs, with ears alert.
Using Open Scenes as a "e;way in"e; to scripted material, this book establishes a foundational actor training methodology that can be applied to the performance of film or television acting, commercials, and theatrical realism.
Playwright and screenwriter Martin Sherman dramatizes outsiders--gay, female, foreign, disabled, different in religion, class or color--skipping over quicksand as they strive to survive.
When American nation-wide network radio was still in its infancy, new programs such as Ma Perkins began to feature ongoing story lines in fifteen minute episodes focusing on home life and romance.
Revered by his cinematic peers, William Wyler (1902-1981) was one of the most honored and successful directors of Hollywood's Golden Age, with such classics as Dead End, Wuthering Heights, The Little Foxes, Roman Holiday and Ben-Hur.
Dokumentarische Filme aller Genres in TV, Kino und Netz entfalten ihre informative Kraft erst dann, wenn sie dramaturgisch als Erzählungen strukturiert sind, nicht als Aufzählungen.
Blackness Is Burning critiques the way the politics of recognition and representation appear in popular culture as attempts to "e;humanize"e; black identity through stories of suffering and triumph or tales of destruction and survival.
This book interrogates the various manifestations of rival systems of justice in the plays and films of Martin McDonagh, in analysis informed by the critical writings of Michael J.
New media and digital technologies open up numerous possibilities to document different versions of reality, which makes it essential to examine how they transform the logic behind the creation and production of documentaries in digital cultures.
This book is the first in-depth cultural history of cinema's polyvalent and often contradictory appropriations of Shakespearean drama and performance traditions.
Attachment Film, Emotion, and Cognition is a bold intervention that seeks to center the bodily and affective dimensions of film traditionally regarded as "e;feminine"e;.
Profiling the canonized figures alongside recently-established filmmakers, this collection features interviews with Lars von Trier, S ren Kragh-Jacobsen, Thomas Vinterberg and Henning Carlsen among many others.
This handbook tackles the understudied relationship between music and comedy cinema by analysing the nature, perception, and function of music from fresh perspectives.