Given that slaveholders prohibited the creation of African-style performing objects, is there a traceable connection between traditional African puppets, masks, and performing objects and contemporary African American puppetry?
Bringing together a range of perspectives to examine the full impact of political, socio-economic or psychological experiences of exile, Performing Exile: Foreign Bodies presents an inclusive mix of voices from varied cultural and geographic affiliations.
This book reprints and analyses reviews of music hall acts from the family magazine The Red Letter, which was published by the Scottish based firm D C Thomson from 1899 to 1987.
Part fascinating history and part practical manual, this engaging guide takes the position that the Ouija Board is indeed as powerful as its detractors claim, revealing the dark secrets and hidden truths of this curious, enduring ';game.
This book constitutes the first full volume dedicated to an academic analysis of theatrically-released spinoff films derived from British radio and television sitcoms.
Completed before he died, thirty years ago, this is the newly discovered autobiography of one of the most influential comedians of recent times, Marty Feldman.
For young people, the space of the drama classroom can be a space for deep learning as they struggle across difference to create something together with common purpose.
This book develops a model to examine the language of humour, which is multimodal and accounts for the possibility of transmutation of humour as it is performed through editorial cartoons.
'The course of true love never did run smooth' so says Lysander in A Midsummer Night's Dream, and for more than 2000 years the problems faced by young men and women fighting to find and keep an appropriate sexual partner have been a theatrical staple.
This volume is the first authoritative historical textbook to look at the origins, development and evolution of seaside pierrot troupes and concert parties and their popular performance heritage.
Becoming Carole Lombard: Stardom, Comedy and Legacy is a historical critique of the development and reception of Carole Lombard's stardom from the classical Hollywood period to present day.
This volume highlights the variety of forms comedy took in England, with reference to developments in Europe, particularly France, during the European Enlightenment.
'In life, I want students to be alive and on stage I want them to be artists' Jacques LecoqJacques Lecoq was one of the most inspirational theatre teachers of our age.
"Fragte man mich nach der Herkunft, ich sagte: Ich komme von Schubert, Cave, Cohen und so weiter …"Anna Baar erzählt von Menschen und Werken, die ihre ästhetische Welterschließung auf unterschiedlichste Weise beeinflusst haben.
This book reprints and analyses reviews of music hall acts from the family magazine The Red Letter, which was published by the Scottish based firm D C Thomson from 1899 to 1987.
The Modern Feminine in the Medusa Satire of Fanny Fern argues that Sara Parton and her literary alter ego, Fanny Fern, occupy a star-power position within the antebellum literary marketplace dominated by women authors of sentimental fiction, writers Nathaniel Hawthorne (in)famously called "e;the damn mob of scribbling women.
Marking Time: Performance, archaeology and the city charts a genealogy of alternative practices of theatre-making since the 1960s in one particular city Cardiff.
Theatre-Rites are regarded as pioneers in the field of object-led and site-specific performance, creating ground-breaking work for family audiences since 1995.
This book argues that Old Comedy's parodic and non-parodic engagement with tragedy, satyr play, and contemporary lyric is geared to enhancing its own status as the preeminent discourse on Athenian art, politics and society.
'The funniest man in the world has written the funniest book in the world' DAVID WALLIAMS'A brilliant insight into what it takes to go from regular funny bloke to one of the best stand-ups I've ever seen' LEE MACK'Proper laugh-out-loud funny' JOE LYCETTAfter a childhood spent making smoke bombs, killing wasps and carving soap in 70s Kent, Harry Hill then found himself in charge of hundreds of sick people as a junior doctor.
Drawing on rich interdisciplinary research that has laced the emerging subject of drag studies as an academic discipline, this book examines how drag performance is a political, socio-cultural practice with a widespread lineage throughout the history of performance.