Superheroes have been an integral part of popular society for decades and have given rise to a collective mythology familiar in popular culture worldwide.
John Tusa is a distinguished journalist, broadcaster and leader of arts organisations, best remembered for his times at the BBC, including creating Newsnight.
Twin Peaks, the infamously strange, seductive, and confounding murder mystery that made network television safe for surrealism, is returning to the small screen after 25 years.
WINNER OF THE TELEGRAPH CRICKET BOOK OF THE YEAR AWARD 2019 'Beautifully written, meticulously researched and stuffed with rich sporting and social history .
Whether working in England or America, Mike Figgis is one of the most innovative and iconoclastic writer-directors in cinema today, and this collection of screenplays displays the rich diversity of his tastes in style and subject matter.
Hollywood special effects offer spectacular creations or re-creations that make claims to our attention on the grounds of their 'incredible-seeming reality'.
Through the intensive examination of films, magazines, advertising and critical texts, Dyer analyses the historical, ideological and aesthetic significance of stars, changing the way we understand screen icons.
After they are pulled 70,000 light-years away from Alpha Quadrant, the captain and crew of Star Trek: Voyager must travel homeward while exploring new challenges to their relationships, views of others, and themselves.
German Crime Dramas from Network Television to Netflix approaches German television crime dramas to uncover the intersections between the genre's media-specific network and post-network formats and how these negotiate with and contribute to concepts of the regional, national, and global.
Examining how we interpret Welshness today, this volume brings together fourteen essays covering a full range of representations of Welsh mythology, folklore, and ritual in popular culture.
At a stage of major change in the world of television (the coming of digital TV, multiple channels, mobile TV on cellphones) this book seeks to take stock of the impact of the advent and presence of television on daily life over the past fifty years, or slightly longer.
Premiering on Fox in 2009, Joss Whedon's Dollhouse was an innovative, contentious and short-lived science fiction series whose themes were challenging for viewers from the outset.
Los Angeles Times bestseller: A memoir by the M*A*S*H actor revealing his hardscrabble childhood, his life in Hollywood, and his passion for human rights.
Tracing the "e;American Guerrilla"e; narrative through more than one hundred years of film and television, this book shows how the conventions and politics of this narrative influence Americans to see themselves as warriors, both on screen and in history.
Premiering in September of 2006, the weekly NBC television series Heroes was an immediate commercial and critical hit, lasting four successful seasons.
Consumers today are invested in reality-based media, such as reality television and social media, which in theory draw content from somewhere off-screen in our lived experience.
Yoga gurus on lifestyle cable channels targeting time-pressured Indian urbanites; Chinese dating shows promoting competitive individualism; Taiwanese domestic makeover formats combining feng shui with life planning advice: Asian TV screens are increasingly home to a wild proliferation of popular factual programs providing lifestyle guidance to viewers.
Although ostensibly presented as “light entertainment,” the work of writer-director-producer Joss Whedon takes much dark inspiration from the horror genre to create a unique aesthetic and perform a cultural critique.
German Crime Dramas from Network Television to Netflix approaches German television crime dramas to uncover the intersections between the genre's media-specific network and post-network formats and how these negotiate with and contribute to concepts of the regional, national, and global.
In recent years, Chinese film has garnered worldwide attention, and this interdisciplinary collection investigates how new technologies, changing production constraints, and shifting viewing practices have shaped perceptions of Chinese screen cultures.
This original book asks how, in an age of convergence, when 'television' no longer means a box in the corner of the living room that we sit and watch together, do we remember television of the past?
When Sex and the City premiered, many were hesitant to identify as the Miranda of their social circle - after all, sarcasm, workaholism, and dubious fashion choices are rarely considered aspirational.