This provocative book reveals how Hollywood films reflect our deepest fears and anxieties as a country, often recording our political beliefs and cultural conditions while underscoring the darker side of the American way of life.
A comprehensive look at the history of African Americans on television that discusses major trends in black TV and examines the broader social implications of the relationship between race and popular culture as well as race and representation.
Feminist Posthumanism in Contemporary Science Fiction Film and Media: From Annihilation to High Life and Beyond places posthumanism and feminist theory into dialogue with contemporary science fiction film and media.
A fascinating read for anyone from general readers to hardcore fans and scholars, this encyclopedia covers virtually every aspect of the zombie as cultural phenomenon, including film, literature, folklore, music, video games, and events.
Nomai dance drama, an artistic expression combining sacred, communal, economic, and cultural spheres of community life in the district of Higashidorimura, is a performing tradition that provides an identity to agriculturally based villages.
Provides an analysis of Hollywood from a fresh viewpoint that shows the careers of Robert Altman, Francis Coppola, William Friedkin, and others in the 1980s as far from conforming to a monolithic pattern of decline, but rather as diverse and complex responses to political and industrial changes.
Provides an analysis of Hollywood from a fresh viewpoint that shows the careers of Robert Altman, Francis Coppola, William Friedkin, and others in the 1980s as far from conforming to a monolithic pattern of decline, but rather as diverse and complex responses to political and industrial changes.
In der zweiten Ausgabe seines Buchs (Vampires): An Uneasy Essay on the Undead in Film (2003) bemerkt Jalal Toufic: »Viele Jahre habe ich mich mit Schizophrenie und Schizophrenen beschäftigt, die in Credits Included: A Video in Red and Green, 1995, auftraten; jetzt interessiere ich mich für ›das kleine Mädchen‹, das voraussichtlich in meinem kommenden Vampir-Film eine Rolle spielen wird … Auf einer Ebene kann die 13.
Nach der schockierenden Erkenntnis, dass die aktuellen Geschehnisse unmittelbar mit seiner Vergangenheit verknüpft sind, macht sich William auf, mehr über das Wappen seiner Familie herauszufinden.
From Steven Spielberg's Lincoln to Clint Eastwood's American Sniper, this fifth edition of this classic film study text adds even more recent films and examines how these movies depict and represent the feelings and values of American society.
Aproximando las islas Canarias al resto de España, surge Tomates, pan y chocolate y, aunque concebidas como historias independientes, cada uno de los relatos mantiene un nexo: plantear una situación que el personaje debe resolver, una situación que lleva a la toma de decisiones.
Written by an expert in media, popular culture, gender, and sexuality, this book surveys the common archetypes of Internet users-from geeks, nerds, and gamers to hackers, scammers, and predators-and assesses what these stereotypes reveal about our culture's attitudes regarding gender, technology, intimacy, and identity.
En las calles de Puerto Madame, una pequeña localidad de Uruguay, las vidas de los obreros de la fábrica de cemento se entretejen entre rutinas y clandestinidad.
En nuestra sociedad actual, regida por la prisa y el imparable avance de la ciencia y la tecnología, el ser humano a menudo olvida la dimensión espiritual de la que también se compone su existencia.
This study of Dylan's mission-driven music reveals a functional approach to art that not only sustained his 60-year career but forever changed an art form.
Tracing the "e;American Guerrilla"e; narrative through more than one hundred years of film and television, this book shows how the conventions and politics of this narrative influence Americans to see themselves as warriors, both on screen and in history.
Part of the Pop Goes the Decade series, this book looks at one of the most memorable decades of the 20th century, highlighting pop culture areas such as film, television, sports, technology, advertising, fashion, and art.
This book provides an engaging historical survey of the vampire in American popular culture over 100 years, ranging from Bram Stoker's classic novel Dracula to HBO's television series True Blood.
This book examines how freedom of speech is reflected in pop culture by looking at numerous examples of films, websites, television shows, and songs that have touched on-and impacted-this issue.
Geek Heroines not only tells the stories of fictional and real women, but also explores how they represent changes in societal views of women, including women of color and the LGBTQ community.
John Boorman's Point Blank (1967) has long been recognised as one of the seminal films of the sixties, with its revisionary mix of genres including neo-noir, New Wave, and spaghetti western.
In this vivid and accessible new account of the dawn of film in Britain, internationally respected film historian and curator Bryony Dixon introduces us to Britain's first cinematic pioneers an eclectic mix of chemists, engineers, photography enthusiasts, fairground showmen and magicians who in a few short years built a vibrant new industry.
Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself.
The films of John Akomfrah represent one of the most significant bodies of artistic production in the post-war era in Britain, yet little attempt has been made to analyse the consistencies and divergences across them.
Frank Capra's It's a Wonderful Life is one of the best-loved films of Classical Hollywood cinema, a story of despair and redemption in the aftermath of war that is one of the central movies of the 1940s, and a key text in America's understanding of itself.
The films of John Akomfrah represent one of the most significant bodies of artistic production in the post-war era in Britain, yet little attempt has been made to analyse the consistencies and divergences across them.
John Boorman's Point Blank (1967) has long been recognised as one of the seminal films of the sixties, with its revisionary mix of genres including neo-noir, New Wave, and spaghetti western.
In this vivid and accessible new account of the dawn of film in Britain, internationally respected film historian and curator Bryony Dixon introduces us to Britain's first cinematic pioneers an eclectic mix of chemists, engineers, photography enthusiasts, fairground showmen and magicians who in a few short years built a vibrant new industry.
