Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment.
This rich, wide-ranging book explores Italy's national film style by relating it closely to politics and to the historicist thought of Croce, Gentile, and Gramsci.
Performing Democracy explores aspects of a developing form of performance that works to change social conditions for marginalized groups or to preserve the traditions and cohesion of the community.
Performing Democracy explores aspects of a developing form of performance that works to change social conditions for marginalized groups or to preserve the traditions and cohesion of the community.
An extraordinary drama of flight and rescue arising from women's resistance to marriage, The Suppliants is surprising both for its exotic color and for its forceful enactment of the primal struggle between male and female, lust and terror, brutality and cunning.
This is the definitive biography of Emile Cohl (1857-1938), one of the most important pioneers of the art of the animated cartoon and an innovative contributor to popular graphic humor at a critical moment when it changed from traditional caricature to the modern comic strip.
As critic for the Soho Weekly News and the Village Voice during the 1970s and 1980s, Sally Banes enjoyed an incomparable perspective on the development of what she describes as "e;the mongrel, elusive, indefinable genre of performance art.
Elizabeth Belfiore offers a striking new interpretation of Aristotle's Poetics by situating the work within the Aristotelian corpus and in the context of Greek culture in general.
Este libro traza las continuidades y discontinuidades filmicas subterraneas del legado del surrealismo y del compromiso politico dentro del estado espanol desde los anos treinta hasta la actualidad, desde la obra pionera de Carlos Velo, Jose Val del Omar, Luis Bunuel y Salvador Dali, hasta el cine militante actual forjado en la estela del 15-M.
Este libro ofrece un recorrido por la filmografía de Nolan hasta sus últimas superproducciones en Hollywood ("Interstellar", "Tenet", "Oppenheimer"), sin olvidar hitos fundamentales como la "Trilogía del Caballero Oscuro", que renovó desde sus cimientos el género de superhéroes.
Bachelorarbeit aus dem Jahr 2024 im Fachbereich Soziologie - Medien, Kunst, Musik, Note: 1,1, Universität Bielefeld (Fakultät für Soziologie), Veranstaltung: Bachelorarbeit im Bereich der Mediensoziologie, Sprache: Deutsch, Abstract: Die Bachelorarbeit „Journalistische Mediennutzung junger Erwachsener unter dem Einfluss der Herkunftsfamilie und Peers“ untersucht, wie Familie und Freundeskreis das Medienverhalten junger Menschen prägen.
Paolo Sorrentino (1970) es autor de una de las obras mas interesantes del panorama cinematografico contemporaneo, repleta de imagenes y secuencias de extraordinaria potencia estetica que no se quedan en la mera belleza, sino que dialogan con otras manifestaciones artisticas y campos del saber, estableciendo, al mismo tiempo, una continua reflexion sobre los temas de actualidad, sin dejar de repensar el pasado y como este afecta al devenir de sus personajes.
Basilio Martín Patino (Lumbrales, Salamanca, 29 de octubre de 1930-Madrid, 13 de agosto de 2017) estudió Filosofía y Letras en la Universidad de Salamanca, donde fundó el Cine Club Universitario.
Highbrow/Lowdown explores the twentieth century's first culture war and the forces that permanently transformed American theater into the art form we know today.
Seminar paper from the year 2024 in the subject Art / Science of Art / Art History, grade: 1,3, University of Bonn (Kunsthistorisches Institut), language: English, abstract: Milan Cathedral is an extraordinary example of a Gothic cathedral that is difficult to compare with other buildings of this style.
Essay from the year 2005 in the subject Communications - Media History, grade: 1,3, University of Southampton (University of Southampton - School of Humanities: Film Studies), course: Image, Sound and Narrative in Late Weimar Cinem, language: English, abstract: "e;Put speech into films, and you will get speech plus film but you will not get a film.
Highbrow/Lowdown explores the twentieth century's first culture war and the forces that permanently transformed American theater into the art form we know today.
The new field of theatre studies changed rapidly in the post-World War II, post-Sputnik expansion of higher education, driven by the expressive urgencies of the baby boom and the ferment of the revolutionary 1960s.
The new field of theatre studies changed rapidly in the post-World War II, post-Sputnik expansion of higher education, driven by the expressive urgencies of the baby boom and the ferment of the revolutionary 1960s.
Directing Postmodern Theater brings together critical theory and contemporary theater practice to provide valuable tools for directing in today's expansive performance world.
The Fate of the Object traces the historical shift in focus from the "e;difficult"e; essential object of modernist theater, art, and poetry to its transformation as a sign in a postmodern field of signs.
Directing Postmodern Theater brings together critical theory and contemporary theater practice to provide valuable tools for directing in today's expansive performance world.
When Martin Esslin published The Theatre of the Absurd in 1961 he caught the pulse of Western drama as it burst into bold and surprising new forms after the Second World War.
When Martin Esslin published The Theatre of the Absurd in 1961 he caught the pulse of Western drama as it burst into bold and surprising new forms after the Second World War.
This volume documents the creation of Chocolate Woman Dreams the Milky Way, a play written and performed by Monique Mojica with collaborators from diverse disciplines.
Wissenschaftlicher Aufsatz aus dem Jahr 2024 im Fachbereich Kunst - Installationen, Aktionskunst, 'moderne' Kunst, Note: 1,7, Technische Universität Dresden (Institut für Kunst- und Musikwissenschaft), Veranstaltung: Seminar: Deutsche Bilder – Schnittstellen von Kunst und Politik am Beispiel Deutschland.
