Die Konjunktur des Politischen in neueren Kinofilmen und Fernsehserien ist mit tradierten Oppositionen – wie der von Inhalt und Form – nicht mehr zu beschreiben.
From yellow-face performance in the 19th century to Jackie Chan in the 21st, Chinese Looks examines articles of clothing and modes of adornment as a window on how American views of China have changed in the past 150 years.
Home invasion narratives have been around nearly as long as cinema itself, popularized by the silent era's "e;race-to-the-rescue"e; movies and classic Hollywood's "e;gangster raid"e; films, and influenced by the slasher and stalker sub-genres.
Ominous Homelands in World Cinema examines contemporary films from a range of national settings that expose and critically engage with representations of "e;Homeland"e; - a term that resurfaced with renewed intensity in the United States through the establishment of the Department of Homeland Security after 9/11 and gained traction across Europe, contributing to the formation of new securitarian configurations whose impact has resonated globally.
Ten Arab Filmmakers provides an up-to-date overview of the best of Arab cinema, offering studies of leading directors and in-depth analyses of their most important films.
Moore, Burridge, and the contributors explore the multifaceted role of improvisation, from rehearsal to performance and teaching to learning within the Southeast Asian performing arts scene.
From yellow-face performance in the 19th century to Jackie Chan in the 21st, Chinese Looks examines articles of clothing and modes of adornment as a window on how American views of China have changed in the past 150 years.
