This book offers a captivating exploration of the evolving dynamics of language, dialogue and identity in modern theatre, highlighting the pioneering contributions of European playwrights Martin Crimp, Jon Fosse, Sarah Kane, Elfriede Jelinek and Roland Schimmelpfennig.
Essential Vectorworks Skills for Scenic and Production Designers is an accessible textbook that covers the digital skills of 2D drawing, 3D modeling, rendering, drafting, and design presentation, providing aspiring designers with an invaluable toolkit to quickly and efficiently hone their craft.
Las relaciones de Juan Rulfo con el cine fueron más extensas de lo que el público no especializado suele suponer y cubren diversos campos en esta –por definición– multifacética actividad.
From the everyday concerns of Umberto D to the spiritual traces of Ma nuit chez Maud, revelatory moments are intrinsic to the fabric of cinematic modernism.
Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture.
Reception studies have made film audiences increasingly visible, while surveys track trends and policymakers gather information about audience preferences and demographics.
Presenting a wide range of new scholarly approaches, this is the first volume to critique the highly influential television series Xena: Warrior Princess.
In All Together Now (first published in 1984), Steve Gooch, himself a playwright with extensive experience of 'community theatre', looks at the relationship of the theatre to the community in which it takes place.
Desde la década de 1970, la investigación académica ha buscado mejorar el disfrute y la participación de las personas con discapacidad en el cine, pero pocas iniciativas han integrado pautas inclusivas desde el proceso inicial de creación.
This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek.
First published in 1992, To All Appearances is a book in which ideology and performance shadow each other, in a theoretical inquiry which ranges widely across historical periods and cultures.
First published in 1992, To All Appearances is a book in which ideology and performance shadow each other, in a theoretical inquiry which ranges widely across historical periods and cultures.
