Immersive Storytelling and Spectatorship in Theatre, Museums, and Video Games is the first volume to explore immersion as it is experienced in all three of these storytelling forms: the theatre, museums and historic sites, and video games.
This book brings together a range of arts and development scholars and practitioners to explore the unique ways in which arts-based research methods can make a unique positive contribution to effective global development practice.
The need for artists, musicians, actors, singers, designers and other creative individuals to understand basic business concepts so they can successfully pursue their chosen creative profession has only grown since the publication of this textbook, now in its third edition.
Im Nebel des Grauens: Eine tiefgründige Analyse von Stephen Kings Der NebelEntdecken Sie die faszinierende Welt von Stephen Kings Der Nebel, ein Meisterwerk, das seit seiner ersten Veröffentlichung im Jahr 1980 Leser und Zuschauer gleichermaßen in seinen Bann zieht.
Der Mann als »Arbeiter« ist ein Auslaufmodell: Nach dem Boom der Wirtschaftswunderzeit kommt es in den westlichen Industrienationen zu einer Verschärfung sozialer Ungleichheit.
Sugar, spice, and everything nice: these were the ingredients chosen to create the perfect little girls and the perfect recipes for breakfast foods, entrees, desserts, snacks, and drinks in The Powerpuff Girls: The Official Cookbook.
When we think of the contemporary British history play, why might we automatically think of playwrights such as David Hare, Howard Brenton, Peter Gill and Edward Bond?
Published here in its entirety in English, Artaud's Revolutionary Messages collects Antonin Artaud's political, aesthetic and philosophical writings during his travels to Mexico in 1936.
A Student Edition of Lucy Prebble's acclaimed 2012 play, which looks at two people on a clinical drugs trial and investigates questions around sanity, neurology, physical attraction and the possibilities of medicine.
One of the few women pioneers of cinema and a committed feminist, Germaine Dulac strongly believed that the public had a role to play in shaping the history of cinema and the kinds of films that filmmakers could make.