This highly novel book provides an exploration of the role of silence in the school setting and interrogates the value of silence and quiet in contemporary educational practices, looking at pedagogies and classroom practice to guide this increasingly popular subdiscipline of the history of education.
This book offers a groundbreaking interpretation of the evolution of painting in France from the mid-1750s to 1781, a period that witnessed the emergence of artists like Vien, Greuze, and David.
This book provides a unique insider's look at the world's largest film industry, now globally known as 'Bollywood' and challenges existing notions about Indian films.
This book, written by a leading expert in the field of visual effects (VFX), demystifies the complex subject of color science and how it should be managed from project ideation to completion.
Dramaturgy and History provides a practical account of an aspect of dramaturgical practice that is often taken for granted: dramaturgs' engagements with history and historiography.
This e-book is part of a twelve-volume series documenting the history of German film from its beginnings in 1895 to the present day using the collection holdings of the Deutsche Kinemathek.
Cet ouvrage accompagne L’appel de l’ailleurs (DVD/VOD, L’Harmattan, mai 2024) réunissant trois films documentaires de l’autrice : À l’ombre des éléphants (2022), qui se déroule en Afrique, raconte la nécessité de sauvegarder les éléphants ; Esprits du Sepik, rencontres en Papouasie-Nouvelle-Guinée (2022) est un voyage en quête de beauté ; Le chant du chamane, voyage en Laponie (2023) part sur les traces d’un chamane Sami.
At a time of growing relevance for women's social and cultural movements in the Americas, Female Agency in Films Made by Latin American Women examines how the increased prominence of women in a directorial role translates into new paradigms of female agency in Latin American filmmaking.
At a time of growing relevance for women's social and cultural movements in the Americas, Female Agency in Films Made by Latin American Women examines how the increased prominence of women in a directorial role translates into new paradigms of female agency in Latin American filmmaking.
The book offers the reader a clear model of reflection on a work of theater art, it is a summary of 20th century knowledge on this subject, a specific synthesis of the consequences and achievements of contemporary theatrical autonomism.
This book expands the known canon by presenting arguments and concepts from women philosophers, from all periods of the history of philosophy, from antiquity to the present day.
En este volumen, Ricardo Bedoya ofrece una visión panorámica de ciertos motivos, tendencias estilísticas y tratamientos rastreables en el cine internacional desde el inicio del siglo XXI.
