The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers, and audiences that emerged over this formative 100-year period.
A History of India's North-East Cinema: Deconstructing the Stereotypes, the first book on the history of cinema in this region, depicts the journey from the first Assamese film, Joymoti (1935), to the present time.
Drawing on the event of Queen Elizabeth II's death in 2022 as a central case study, this book explores the way we navigate the relationship between nostalgia and religion.
Drawing from over a decade of research and writings, this book takes you on an epic journey through the history of Indian Parallel Cinema (1968 - 1995).
Bringing together international perspectives on the figure of the "e;monster"e; in performance, this edited collection builds on discussions in the fields of posthumanism, bioethics, and performance studies.
Johannes Fehring (1926–2004) ist einer breiteren Öffentlichkeit vor allem als Leader der ORF-Big Band, durch sein Engagement für den Jazz und seine Arrangements für Künstler*innen wie Peter Alexander, Marianne Mendt, Arik Brauer oder Kurt Sowinetz in Erinnerung geblieben.
This book traces the journey of influential dancer, teacher, and
choreographer Naomi Goldberg Haas, from her early years as an emerging
dancer to her leading work in bringing the joy of movement to dancers of
all ages and abilities.
Film noir, one of the most intriguing yet difficult to define terms in cinema history, is usually associated with a series of darkly seductive Hollywood thrillers from the 1940s and 50s - shadowy, black-and-white pictures about private eyes, femme fatales, outlaw lovers, criminal heists, corrupt police, and doomed or endangered outsiders.
'The best comedy the UK has ever created' GUARDIAN'One of the most satisfying endings in TV history' INEWS 'Endlessly entertaining and richly rewarding' DAILY TELEGRAPH Inside No.
This book provides an engaging insight into the responses of teenage audiences to British period drama, presenting original data collected from young people across England.
