This edited collection traces the evolution of writing, retelling, and critically reading children's and young adult tales over decades of cultural, social, and technological changes.
Stanislavsky’s Use of Improvisation is the first work that brings together material across Stanislavsky’s entire career to survey his use of improvisation.
Stanislavsky’s Use of Improvisation is the first work that brings together material across Stanislavsky’s entire career to survey his use of improvisation.
This book, Mexican Waves: Cinema, Television, Transmedia, explores the dynamic landscape of contemporary Mexican audiovisual storytelling, offering an in-depth examination of the works of influential filmmakers, television creators, and transmedia artists.
This book, Mexican Waves: Cinema, Television, Transmedia, explores the dynamic landscape of contemporary Mexican audiovisual storytelling, offering an in-depth examination of the works of influential filmmakers, television creators, and transmedia artists.
This book explores the remarkable ability of political cartoons in the region to craft and preserve an alternative narrative by employing the potent tool of political humor.
This book explores the remarkable ability of political cartoons in the region to craft and preserve an alternative narrative by employing the potent tool of political humor.
This book provides a comprehensive overview of influential and popular Chinese drama actors and actresses, innovative directors, and emerging playwrights.
This book provides a comprehensive overview of influential and popular Chinese drama actors and actresses, innovative directors, and emerging playwrights.
Bei einem Blick auf virtuelle Realitäten im frühneuzeitlichen Theater gilt es, unsere vom digitalen Zeitalter geprägten Konzepte der Virtualität und Präsenz zu revidieren.
This book examines representations of gender, age and identity across the Hallmark film and television output in relation to specific periods of time that pertain to changes within the specific entertainment sector.
Bei einem Blick auf virtuelle Realitäten im frühneuzeitlichen Theater gilt es, unsere vom digitalen Zeitalter geprägten Konzepte der Virtualität und Präsenz zu revidieren.
This book examines representations of gender, age and identity across the Hallmark film and television output in relation to specific periods of time that pertain to changes within the specific entertainment sector.
This book foregrounds the realm of Contemporary Indian Feminist Theatre in order to explore the inter-relationships between feminist theatrical theory, practice and its historical antecedents.
