Local/ Global Shakespeare and Advertising examines the local/ global and rhizomatic phenomenon of Shakespeare as advertised and Shakespeare as advertising.
Investigating more than 70 key concepts relating to the performing arts in more than six non-European languages, this volume provides a groundbreaking research tool and one-of-a-kind reference source for theatre, performance and dance studies worldwide.
This book provides current and incoming filmmakers with a comprehensive overview of how to create business and marketing plans to prepare their movies for distribution.
This book argues that dramaturgy makes things visible and does so in two distinct and interrelating ways: creative processes and formal elements of performance are rendered visible and readable; and performance dramaturgy becomes an expanded practice in which performance is a locus for creating wide-ranging events and activities.
The 'Female' Dancer aims to question dancers' relationships with 'female' through the examination and understandings of biological, anatomical, scientific, and self-social identity.
Local/ Global Shakespeare and Advertising examines the local/ global and rhizomatic phenomenon of Shakespeare as advertised and Shakespeare as advertising.
This book studies British literary writers' engagement with adaptations of their work across literary, theatrical, and film media in the nineteenth and early twentieth centuries.
This book provides guidance on how to build an independent, financially sustainable filmmaking career through channels such as crowdsourcing, crowdfunding, and community filmmaking concepts.
This volume takes stock of the ways in which the regimes of artistic creation and production intersect, lending special attention to emergent discourses and work models of producing and managing theatre, dance, and performance - through the lenses of creative producers.
Hailed as one of the most talented playwrights to have emerged in the late 2000s, Mike Bartlett's diverse range of plays strike at the heart of the various crises predominant in the early twenty-first century.
This book considers David Hanson's robots as a performative expression of our cultural moment, serving as a paradigm for the evolution of humanoid social robots.
In 2020-21, the classic HBO show The Sopranos (1999-2007) saw a rapid increase in viewership and was proclaimed to be one of the "e;hottest shows of lockdown"e; by outlets like The Guardian and GQ.
Adapting Television and Literature is an incisive collection of essays that explores the growing sub-category of television adaptations of literature and poetics.
In 1969, when Andrew Lloyd Webber and Tim Rice decided to write a rock opera about Jesus Christ, they had little idea they were about to embark on one of the most popular, boundary-pushing, and influential musicals ever.
In this engaging and readable book, Peter Decherney tells the story of Hollywood, from its nineteenth-century origins to the emergence of internet media empires.
Cinema was the first, and is arguably still the greatest, of the industrialized art forms that came to dominate the cultural life of the twentieth century.
Based on a research project funded by the Swedish Research Council, this book analyses 40 years of post-war independent immigrant filmmaking in Sweden.
From The Two Gentlemen of Verona in the early 1590s to The Two Noble Kinsmen at the end of his career around 1614, Shakespeare wrote at least eighteen plays that can be called 'comedies': a far higher number than that for any other genre in which he wrote.
This new 50th anniversary edition of the classic 1971 book The Total FilmMaker is now being released by the Jerry Lewis Estate and Michael Wiese Productions with all-new, never-before-seen photos of Jerry on set and with his family and friends, and a new foreword by Leonard Maltin.
'With fascinating characters and an intriguing plot, this is a real page turner' KATIE FFORDE praise for the seriesAn addictive and unputdownable crime mystery novel perfect for fans of Agatha Christie, Dorothy L.
Heroisches Blutvergießen, mit diesem Begriff, der schon fast zu einer Genrebezeichnung gereift ist, werden John Woos Werke der 1980er und 1990er Jahre gern erfasst.
