This book offers an in-depth technical presentation of photography and details about the inner workings of the digital camera, while keeping the artistic principles in mind.
This book argues that photography, with its inherent connection to the embodied material world and its ease of transmissibility, operates as an implicitly political medium.
This pioneering book offers the first account of the work of the photographers, both official and freelance, who contributed to the forging of Mussolini's image.
This book provides a user-friendly guide to the expanding scope of visual sociology, through a discussion of a broad range of visual material, and reflections on how such material can be studied sociologically.
