If mediatization has surprisingly revealed the secret life of inert matter and the 'face of things', the flipside of this has been the petrification of living organisms, an invasion of stone bodies in a state of suspended animation.
If mediatization has surprisingly revealed the secret life of inert matter and the 'face of things', the flipside of this has been the petrification of living organisms, an invasion of stone bodies in a state of suspended animation.
In einem Land, in dem uralte Rivalitäten und tief verwurzelte Traditionen die zwischenmenschlichen Beziehungen prägen, versuchen die Königreiche Sanshain und Tsuki, einen neuen Weg des Friedens und der Zusammenarbeit zu finden.
Women Staging and Restaging the Nineteenth Century is the first book to explore overlooked histories of women who filled the theatrical stages of the nineteenth century, dialoguing with contemporary adaptations, reworkings, and retellings of these histories in Great Britain and beyond.
Women Staging and Restaging the Nineteenth Century is the first book to explore overlooked histories of women who filled the theatrical stages of the nineteenth century, dialoguing with contemporary adaptations, reworkings, and retellings of these histories in Great Britain and beyond.
This groundbreaking work explores Soren Kierkegaard as a pioneering figure in Performance Theory, revealing how his philosophical approach anticipated contemporary Performance Studies concepts.
This groundbreaking work explores Soren Kierkegaard as a pioneering figure in Performance Theory, revealing how his philosophical approach anticipated contemporary Performance Studies concepts.
The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers and audiences that emerged over this formative hundred year period.
The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers and audiences that emerged over this formative hundred year period.
Small Stages: Cabinets, Dioramas, and other Tiny Performances is a consideration of small stages as unique and generative sites for creating and presenting performance.
This book highlights and explores in depth the moral and conceptual problems invoked by the continued use of "e;blackness"e; and "e;black"e; as modern identity realities for continental and diaspora Africans (CADA).
This book highlights and explores in depth the moral and conceptual problems invoked by the continued use of "e;blackness"e; and "e;black"e; as modern identity realities for continental and diaspora Africans (CADA).
The concept of recognition has moved to the forefront of philosophical research in recent decades, particularly in political and social philosophy but also related areas, including philosophy of race and gender, philosophy of mind and language, ethics and aesthetics.
Phenomenology in Clinical Practice introduces core concepts of Husserlian phenomenology and applies them to the understanding and treatment of affective and personality disorders in clinical settings.
Small Stages: Cabinets, Dioramas, and other Tiny Performances is a consideration of small stages as unique and generative sites for creating and presenting performance.
The Routledge Companion to Performance and Science investigates and illuminates the growing international interest in the intersections and interactions between theatre, drama, performance and the sciences.
Challenging received scholarship on the practice of Shakespeare's theatre, this book displaces a contemporary cultural bias towards leadership models to reconsider possibilities of working in a non-hierarchical and inclusive creative theatrical practice.
This volume explores the connections between the phenomenology of self-awareness and the metaphysical nature of subjects of experience, bringing together two important research areas in contemporary philosophy of mind into fruitful engagement with one another.
Theatre and Media for Social Change in Malawi examines contemporary participatory theatre and media as instruments for social transformation across multiple domains, including education, prisoner rehabilitation, gender equality, mental health support and climate action.
Theatre and Media for Social Change in Malawi examines contemporary participatory theatre and media as instruments for social transformation across multiple domains, including education, prisoner rehabilitation, gender equality, mental health support and climate action.
This volume explores the connections between the phenomenology of self-awareness and the metaphysical nature of subjects of experience, bringing together two important research areas in contemporary philosophy of mind into fruitful engagement with one another.
The concept of recognition has moved to the forefront of philosophical research in recent decades, particularly in political and social philosophy but also related areas, including philosophy of race and gender, philosophy of mind and language, ethics and aesthetics.
Performing Stragismo and Counterspectacularisation offers a new theoretical lens on political violence as spectacle, drawing on performance theory to explore how acts of violence - particularly terrorism - are staged, circulated, and remembered.
Challenging received scholarship on the practice of Shakespeare's theatre, this book displaces a contemporary cultural bias towards leadership models to reconsider possibilities of working in a non-hierarchical and inclusive creative theatrical practice.
Performing Stragismo and Counterspectacularisation offers a new theoretical lens on political violence as spectacle, drawing on performance theory to explore how acts of violence - particularly terrorism - are staged, circulated, and remembered.
Contemporary North American History Plays examines how feminist theatre makers employ metadramatic techniques to revolutionize historical storytelling on the American stage.
The Routledge Companion to Performance and Science investigates and illuminates the growing international interest in the intersections and interactions between theatre, drama, performance and the sciences.
Contemporary North American History Plays examines how feminist theatre makers employ metadramatic techniques to revolutionize historical storytelling on the American stage.
