Ricardo Moros Urbina ha sido reconocido principalmente por su trabajo como grabador del Papel Periódico Ilustrado, publicación que, en la Bogotá de finales del siglo XIX, articuló de forma pionera el carácter periodístico y la reproducción masiva del arte gráfico a través del grabado xilográfico.
In this fully revised and richly illustrated edition, author and journalist Will Ellsworth-Jones pieces together a complete picture of the life and work of Banksy, perhaps the most iconic, enigmatic and controversial artist of modern times.
In this fascinating follow-up to the bestselling Information is Beautiful and Knowledge is Beautiful, the king of infographics David McCandless uses spectacular visuals to give us all a bit of good news.
The evidential role of matter—when media records trace evidence of violence—explored through a series of cases drawn from Kosovo, Japan, Vietnam, and elsewhere.
Flexible in approach and full of colorful examples, this textbook provides a basic introduction to what art is and can be in the lives of people who do not necessarily think of themselves as "e;artists.
Canadian readers have enjoyed their own graphic satire since colonial times and Canadian artists have thrived as they took aim at the central issues and figures of their age.
Working in Germany between the two world wars, John Heartfield (born Helmut Herzfeld, 1891-1968) developed an innovative method of appropriating and reusing photographs to powerful political effect.
This study examines the waves of graffiti that occur before, during, and after a conflict-important tools of political resistance that make protest visible and material.
