Theatre in Dublin,17451820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin's many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan's becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820.
A detailed and inventive study of the thinking at work in modern painting, drawing on a formidable body of scholarly evidence to challenge modernist and phenomenological readings of art history, The Brain-Eye presents a series of interlinked 'case studies' in which philosophical thought encounters the hallucinatory sensations unleashed by 'painter-researchers.
Violet Oakley: An Artists Life is the first full-length biography of Violet Oakley (18741961), the only major female artist of the beaux-arts mural movement in the United States, as well as an illustrator, stained glass artist, portraitist and author.
A step-by-step illustrated introduction to the astounding mathematics of symmetryThis lavishly illustrated book provides a hands-on, step-by-step introduction to the intriguing mathematics of symmetry.
The Life and Times of Moses Jacob Ezekiel: American Sculptor, Arcadian Knight tells the remarkable story of Moses Ezekiel and his rise to international fame as an artist in late nineteenth-century Italy.
The Philosophy of Theatre, Drama and Acting is the ideal collection for students and scholars of aesthetics, theatre studies and the philosophy of art.
Intersecting art, science and the scenographic mise-en-sc ne, this book provides a new approach to anatomical drawing, viewed through the contemporary lens of scenographic theory.
This book analyzes the role of the theatrical simpleton in the pasos of the sixteenth-century playwright Lupe de Rueda, in Mario Moreno's character "e;Cantinflas,"e; and in the esquirol of the 1960s Actos of the Teatro Campesino.
Fired Clay in Four Porcelain Clusters examines how energy use in the ceramics-making industry has evolved as a result of technological advancements and changing social norms and ideas in environmental conservation.
This book examines the use of image and text juxtapositions in conceptual art as a strategy for challenging several ideological and institutional demands placed on art.
In this book, Eleonora Redaelli investigates the arts in American cities, providing insight into urban cultural policy discourse through the lens of space.
This volume is an interdisciplinary consideration of late medieval art and texts, falling into two parts: first, the iconography and context of the great Doom wall painting over the tower arch at Holy Trinity Church, Coventry, and second, Carthusian studies treating fragmentary wall paintings in the Carthusian monastery near Coventry; the devotional images in the Carthusian Miscellany; and meditation for "e;simple souls"e; in the Carthusian Nicholas Love's Mirror of the Blessed Life of Jesus Christ.
This book demonstrates the complexity of nineteenth-century Britain's engagement with Palestine and its surrounds through the conceptual framing of the region as the Holy Land.
This book analyzes the role of ai Viet (Vietnam) in the maritime Asian trading network of the thirteenth through the eighteenth centuries as it systematically integrates the results of archaeological investigations.
This book offers a clear, accessible account of the American litigation over the restitution of works of art taken from Jewish families during the Holocaust.
Frederic Church (1826–1900), the most celebrated painter in the United States during the mid-19th century, created monumental landscapes of North and South America, the Arctic, and the Middle East.
This revelatory study of Georges Seurat (1859–1891) explores the artist’s profound interest in theories of visual perception and analyzes how they influenced his celebrated seascape, urban, and suburban scenes.
From the author of "e;Celestial Sleuth"e; (2014), yet more mysteries in art, history, and literature are solved by calculating phases of the Moon, determining the positions of the planets and stars, and identifying celestial objects in paintings.
Piet Mondrian pioneered the de Stijl movement—Dutch for “The Style”—that emerged in the early 20th century and which served as an important transition from a focus on Symbolism and Realism to a new and growing focus on abstraction.
A Visual Dictionary of Decorative and Domestic Arts provides a common and unambiguous vocabulary for the parts of handcrafted decorative, domestic, and artistic items.
This devotional featuring inspirational oil paintings by artist Jenny Highsmith invites readers to look up, breathe deep, and feel the peace and presence of God.
A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their usesArt history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft.
An illuminating look at a fundamental yet understudied aspect of Italian Renaissance paintingThe Italian Renaissance picture is renowned for its depiction of the human figure, from the dramatic foreshortening of the body to create depth to the subtle blending of tones and colors to achieve greater naturalism.
This volume explores the part played by different metals in use from the fourth millennium BC to the Early Iron Age, not only in the Aegean but also in the wider Old World.
One of the most important avant-garde movements of postwar Paris was Lettrism, which crucially built an interest in the relationship between writing and image into projects in poetry, painting, and especially cinema.
The last night of four prisoners sentenced to death is the subject of Gesualdo Bufalino's (1920-1996) masterpiece Night Lies, for which he won the 1988 Strega Prize.
Though his father had faced bankruptcy, James Clarke Hook (1819-1907) nevertheless managed to paint himself into country-gentlemanhood, becoming famous for his landscapes of British coastal scenes and his ability to evoke not just the sights but also the sounds and even the smell of the sea.
The author has designed the book to teach the reader the fundaments of cartoons, live sketches, superheroes and caricature the simplest manner possible excluding long essays on otherwise irksome theories.