Der Künstler, Bildhauer und Maler Thomas Schönauer kreiert außergewöhnliche Edelstahl-Skulpturen, die er »Cultivator« nennt, als ideale Form zur Verbindung von Raum und Fläche, also 3D und 2D, so dass ein kohärentes Ganzes für den öffentlichen und privaten Raum entsteht.
The emergence of a master artist alongside his first major collection, created during a golden age of art in the nations capitalRenowned for his innovative work with silkscreen printing, Lou Stovalls works are part of numerous collections, including the National Gallery of Art, Smithsonian American Art Museum, and Phillips Collection.
Tracing the rise and development of the Ghanaian video film industry between 1985 and 2010, Sensational Movies examines video movies as seismographic devices recording a culture and society in turmoil.
Videoland offers a comprehensive view of the "e;tangible phase"e; of consumer video, when Americans largely accessed movies as material commodities at video rental stores.
The information coming about contemporary Indian literature remains scarce and timid due to the weak translation movement from it into our Arabic language, despite the closeness of this literature to the Eastern Arab spirituality, as what unites us with the culture of the Indian subcontinent is greater than Western literature due to the convergence of social and political conditions, lifestyle and historical depth.
Mindful, achievable and satisfying, this book gives readers a unique way to interact with the natural world around them, whether that's drawing cut flowers in a vase, or wild flowers in their front garden.
This study examines the waves of graffiti that occur before, during, and after a conflict-important tools of political resistance that make protest visible and material.
With near-mythical forests of birch and pine, the Nordic and Baltic countries boast a rich tradition of religious wood carving that is in many ways emblematic of their cultures.
Informed by a provocative exhibition at the Louvre curated by the author, The Severed Head unpacks artistic representations of severed heads from the Paleolithic period to the present.
Flexible in approach and full of colorful examples, this textbook provides a basic introduction to what art is and can be in the lives of people who do not necessarily think of themselves as "e;artists.
The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts.
Baskets made of baleen, the fibrous substance found in the mouths of plankton-eating whalesa malleable and durable material that once had commercial uses equivalent to those of plastics todaywere first created by Alaska Natives in the early years of the twentieth century.
Offering an incisive rejoinder to traditional histories of modernism and postmodernism, this original book examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body.
A fascinating look at one of the most experimental, volatile, and influential decades, Film, Fashion, and the 1960s, examines the numerous ways in which film and fashion intersected and affected identity expression during the era.
A vivid account of Dutch seventeenth-century art and material culture against the backdrop of the geopolitics of the early modern worldThe seventeenth century witnessed a great flourishing of Dutch trade and culture.
This book introduces an archaeological approach to the study of media - one that sifts through the evidence to learn how media were written about, used, designed, preserved, and sometimes discarded.
Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media.
Communicating God's Word in a Complex World reaches out to the growing number of missionaries, pastors, Bible translators and teachers, mission and theological educators and students dealing with communicating the gospel.
This is the first book of its kind to examine the development of the confessional subject in video art and demonstrate how it can provide a vital platform for navigating the politics of self, subjectivity, and resistance in society.
Offering historical and theoretical positions from a variety of art historians, artists, curators, and writers, this groundbreaking collection is the first substantive sourcebook on abstraction in moving-image media.