Shows how Joyce''s narrative styles and his protagonists'' perceptions are shaped by visual technologies, including dioramas, stereoscopes, mutoscopes and film.
Visual Cultures is the first study of the place of visuality and literacy in specific nations around the world, and includes authoritative, insightful essays on the value accorded to the visual and the verbal in Japan, Poland, China, Russia, Ireland and Slovenia.
A Companion to Modern Art presents a series of original essays by international and interdisciplinary authors who offer a comprehensive overview of the origins and evolution of artistic works, movements, approaches, influences, and legacies of Modern Art.
Jerrold Levinson, one of the most prominent philosophers of art today, presents a new collection of essays, following on from his four previous collections, Music, Art and Metaphysics (1990), The Pleasures of Aesthetics (1996), Contemplating Art (2006), and Musical Concerns (2015).
This book offers intriguing philosophical inquiries into biotechnological art and the life sciences, addressing their convergences as well as their epistemic and functional divergences.
The explosion of minimalism into the worlds of visual arts, music and literature in the mid-to-late twentieth century presents one of the most radical and decisive revolutions in aesthetic history.
In The Natural Order and Other Texts, Peter Shield presents the first English translations of the artist Asger Jorn's three philosophical texts - The Natural Order, Value and Economy and Luck and Chance.
A classic work on radical aesthetics by one of the great philosophers of the early twentieth century No work of philosopher and essayist Jose Ortega y Gasset has been more frequently cited, admired, or criticized than his response to modernism, "e;The Dehumanization of Art.
Part-Architecture presents a detailed and original study of Pierre Chareau's Maison de Verre through another seminal modernist artwork, Marcel Duchamp's Large Glass.
Gegenwärtige Entwicklungen in der digitalen Organisation von Wissen geben in den Geisteswissenschaften Anlass zu einer vertieften Auseinandersetzung mit der Geschichte kultureller Praktiken des Speicherns und Erinnerns.
Color is one of cinema's most alluring formal systems, building on a range of artistic traditions that orchestrate visual cues to tell stories, stage ideas, and elicit feelings.
Selected and introduced by Juli Carson, this book presents a collection of essential essays, interviews, and never-before published archival materials that trace the development of the teaching of major artist and thinker Mary Kelly, from 1980-2017.
Artist Scholar: Reflections on Writing and Research is part history, introduction and discussion for artists and designers entering, graduating and employed by the contemporary art academy in the United States.
**WINNER OF THE SALTIRE BOOK OF THE YEAR AWARD 2024****WINNER OF THE WRITERS' PRIZE 2024 | NON-FICTION****SHORTLISTED FOR THE WOMEN S PRIZE FOR NON-FICTION 2024**A beautifully illustrated new memoir of a life in art, a father and daughter, and what a shared love of a painting can come to mean.
Deftly deploying Derrida's notion of the 'unexperienced experience' and building on Paul Virilio's ideas about the aesthetics of disappearance, Vanishing Points explores the aesthetic character of presence and absence as articulated in contemporary art, photography, film and emerging media.
If today students of social theory read Jurgen Habermas, Michael Foucault and Anthony Giddens, then proper regard to the question of culture means that they should also read Raymond Williams, Julia Kristeva and Slavoj Zizek.
This book uses intermedial theories to study collage and montage, tracing the transformation of visual collage into photomontage in the early avant-garde period.
The Philosophical Imagination brings together several of Richard Moran's essays, ranging over a remarkable variety of topics in philosophy of mind and action, aesthetics, and moral psychology.
This book explores the ways Robert Smithson's art revealed and defamiliarized the constructs of rational reality in order to allow radically speculative alternatives to emerge.