Bringing together leading scholars from philosophy, architecture, history, classics, and art history, this volume asks: what are the key concepts in Neoplatonic aesthetics?
In recent years, much research has been dedicated to the relationship between politics and aesthetics and, in particular, to the political power of aesthetics.
Emphasizing the diversity of twentieth-century collage practices, Rona Cran's book explores the role that it played in the work of Joseph Cornell, William Burroughs, Frank O'Hara, and Bob Dylan.
This book brings together thirteen scholars to introduce the newest and most cutting-edge research in the field of Russian and East European art history.
Bringing together a fascinatingly diverse yet closely related group of subjects, Where Words and Images Meet asks us to rethink what we know about words and images and how they interact.
Originally published in 1963 and edited by an authority on Wyndham Lewis (whom he also knew personally) this volume made available for the first time over 500 letters of Wyndham Lewis, who for half a century was a dynamic force among English artists and intellectuals.
Mit der Suche nach dem im elterlichen Garten vergrabenen Gorilla beginnt Valérie Favres Reise in die Welt der Imagination, der Fantasien, Alpträume, Erinnerungen und Werke der Kunstgeschichte.
Der Band präsentiert das breite Spektrum an Positionen in der west- und osteuropäischen Kunstphilosophie im Zusammenhang mit der Wirkung der Staatlichen Akademie der Kunstwissenschaften in Moskau (GAChN, 1921–1930).
In this book, Osborne demonstrates why and how photography as photography has survived and flourished since the rise of digital processes, when many anticipated its dissolution into a generalised system of audio-visual representations or its collapse under the relentless overload of digital imagery.
Museums and Photography combines a strong theoretical approach with international case studies to investigate the display of death in various types of museums-history, anthropology, art, ethnographic, and science museums - and to understand the changing role of photography in museums.
Die neue Edition von Carl Einsteins unveröffentlichtem Werk Die Fabrikation der Fiktionen bringt die beiden erhaltenen Fassungen und eröffnet mit Nachwort und ausführlichem Register eine neue, kritische Sicht auf die klassisch gewordene Moderne.
Scansion in Psychoanalysis and Art examines a strain of artists spanning more than a century, beginning at the dawn of photography and culminating in the discussion of contemporary artists, to illustrate various psychoanalytic concepts by examining artists working in a multitude of media.
Der Kunst- und Kulturhistoriker Martin Warnke – geboren und aufgewachsen in Brasilien – gehörte zu den intellektuell prägenden Figuren der späteren Bundesrepublik.
Victorians' views of water and its role in how the social fabric of Victorian Britain was imagined Water matters like few other substances in people's daily lives.
Der Dresdner Maler Oskar Zwintscher (1870‒1916) kann zu den wichtigsten Vertretern des sächsischen Symbolismus der Jahrhundertwende und zu den Wegbereitern der Neuen Sachlichkeit gezählt werden.
Bringing together an international team of scholars, this book offers new perspectives on the impact that the Bauhaus and its teaching had on a wide range of artistic practices.
Giving an overview of the history of color theory from ancient and classical cultures to contemporary contexts, this book explores important critical principles and provides practical guidance on the use of color in art and design.
The violent operations performed in the 1970s by West German urban guerrillas - such as the Red Army Faction (RAF) - were so vivid and incomprehensible that it seemed to be more urgent to produce spectacle than to be politically successful.
Emphasizing the diversity of twentieth-century collage practices, Rona Cran's book explores the role that it played in the work of Joseph Cornell, William Burroughs, Frank O'Hara, and Bob Dylan.
The explosion of minimalism into the worlds of visual arts, music and literature in the mid-to-late twentieth century presents one of the most radical and decisive revolutions in aesthetic history.
A revisionist reading of modern art that examines how artworks are captured as property to legitimize powerIn this provocative new account, David Joselit shows how art from the nineteenth to the twenty-first centuries began to function as a commodity, while the qualities of the artist, nation, or period themselves became valuable properties.
This comprehensive text challenges the taken-for-granted opposition of science and art by combining the fundamental principles of psychology, art and creativity and presenting the interdependent disciplines together in one unique, clear, and accessible resource.
Philosophers say what art is and then scientists and then other scholars study how we are equipped, cognitively and socially, to make art and appreciate it.
Library facilitators of art-based creativity sessions will learn how to choose materials and art experiences appropriate for young people from toddlers to teens and for intergenerational groups.
Black is Beautiful identifies and explores the most significant philosophical issues that emerge from the aesthetic dimensions of black life, providing a long-overdue synthesis and the first extended philosophical treatment of this crucial subject.
Philosophers say what art is and then scientists and then other scholars study how we are equipped, cognitively and socially, to make art and appreciate it.
This forward-thinking collection brings together over sixty essays that invoke images to summon, interpret, and argue with visual studies and its neighboring fields such as art history, media studies, visual anthropology, critical theory, cultural studies, and aesthetics.
People often overlook the uncanny nature of homecomings, writing off the experience of finding oneself at home in a strange place or realizing that places from our past have grown strange.
Conceptual Performance explores how the radical visual art that challenged material aesthetics in the 1960s and 1970s tested and extended the limits, character and concept of performance.