¿Qué es una imagen, cómo se hace una obra, qué significa lo abstracto y cómo se confronta la vida con la gran corriente del Caos que desafía a los artistas?
Bringing together leading scholars from philosophy, architecture, history, classics, and art history, this volume asks: what are the key concepts in Neoplatonic aesthetics?
Over the past decade, there has been a burgeoning interest in the realm of art activism within the Southwest Asia and North Africa region, shedding light on the political implications of aesthetic representation.
Adventurous Film Making (1980) looks at some more ambitious and interesting techniques and shows how these serve film makers in expressing their ideas.
A key publication on colour theory from a pioneering female scientist, this unique work explores the world of colour, reimagining foundational theories for practical use in the fields of art, science, and design.
The ABC of the projectariat contributes new thinking on and practical responses to the widespread problem of precarious labour in the field of contemporary art.
In these diatribes on the marketing of culture and the branding of identity, the development of spectacle-architecture and the rise of global cities, Hal Foster surveys our new political economy of design.
Adventurous Film Making (1980) looks at some more ambitious and interesting techniques and shows how these serve film makers in expressing their ideas.
Entdecken Sie die verborgene Welt des Widerstands: "Kunst & Literatur in der DDR – Widerstand zwischen den Zeilen"Tauchen Sie ein in die faszinierende und bewegende Geschichte der DDR, wie sie Ihnen noch nie erzählt wurde.
"Handbook and guide" …for Cellists and all other String PlayersBrilliant technical and musical concepts and methods by Janos Starker, the world-famous cellist and teacherSuitable for all levels: Students, Chamber Musicians, Orchestral Musicians as well as SoloistsA true inspiration!
Jill Johnston began the 1960s as an influential dance columnist for the Village Voice and by the start of the next decade she was known as a keen observer of postmodern art and lesbian feminist life who challenged how dance, art, and women can and should be seen.
This book presents both a historical survey and a critical re-evaluation of the contested and contingent nature of the medium of painting over the last 60 years.