Since the turn of the millennium, protests, meetings, schoolrooms, reading groups and many other social forms have been proposed as artworks or, more ambiguously, as interventions that are somewhere between art and politics.
Since the turn of the millennium, protests, meetings, schoolrooms, reading groups and many other social forms have been proposed as artworks or, more ambiguously, as interventions that are somewhere between art and politics.
This book investigates creative responses to the Nazi period in the work of three artists, Felix Nussbaum, Charlotte Salomon and Arnold Daghani, focusing on their use of pictorial narrative.
This book investigates creative responses to the Nazi period in the work of three artists, Felix Nussbaum, Charlotte Salomon and Arnold Daghani, focusing on their use of pictorial narrative.
In this book, Osborne demonstrates why and how photography as photography has survived and flourished since the rise of digital processes, when many anticipated its dissolution into a generalised system of audio-visual representations or its collapse under the relentless overload of digital imagery.
In this book, Osborne demonstrates why and how photography as photography has survived and flourished since the rise of digital processes, when many anticipated its dissolution into a generalised system of audio-visual representations or its collapse under the relentless overload of digital imagery.
This collection of brief but insightful essays, though always returning to the author's central conviction that the quality of artistic endeavour depends not on individuals of genius but on the attitude of the public towards art itself, examines a wide variety of unique but related issues: the relationship between natural and artistic beauty; the genius of Da Vinci and Nicholas Poussin; the influence of femininity on European art; the importance of good criticism; art as a social phenomenon; the role of the passions; and a range of associated topics.
This collection of brief but insightful essays, though always returning to the author's central conviction that the quality of artistic endeavour depends not on individuals of genius but on the attitude of the public towards art itself, examines a wide variety of unique but related issues: the relationship between natural and artistic beauty; the genius of Da Vinci and Nicholas Poussin; the influence of femininity on European art; the importance of good criticism; art as a social phenomenon; the role of the passions; and a range of associated topics.
A beautifully illustrated visual and cultural history of the color blue throughout the agesBlue has had a long and topsy-turvy history in the Western world.
This book investigates the notion of beauty in participatory art, an interdisciplinary form that necessitates the audience's agential participation and that is often seen in interactive art and technology-driven media installations.
This book investigates the notion of beauty in participatory art, an interdisciplinary form that necessitates the audience's agential participation and that is often seen in interactive art and technology-driven media installations.
In a struggling global economy, education is focused on core subjects such as language arts and mathematics, and the development of technological and career-readiness skills.
In a struggling global economy, education is focused on core subjects such as language arts and mathematics, and the development of technological and career-readiness skills.
The aim of this book is to expose readers to architecture's pretexts that include literary narratives, film, theatre, painting, music, and ritual, as a bridge between diverse intellectual territories and architecture.
The aim of this book is to expose readers to architecture's pretexts that include literary narratives, film, theatre, painting, music, and ritual, as a bridge between diverse intellectual territories and architecture.
The Routledge Companion to Art and Politics offers a thorough examination of the complex relationship between art and politics, and the many forms and approaches the engagement between them can take.
With newly commissioned essays by some of the leading writers on photography today, this companion tackles some of the most pressing questions about photography theory's direction, relevance, and purpose.
With newly commissioned essays by some of the leading writers on photography today, this companion tackles some of the most pressing questions about photography theory's direction, relevance, and purpose.
In this study, first published in 1979, Landow contends that Hunt's version of Pre-Raphaelitism concerned itself primarily with an elaborate system of painterly symbolism rather than with a photographic realism as has been usually supposed.
In this study, first published in 1979, Landow contends that Hunt's version of Pre-Raphaelitism concerned itself primarily with an elaborate system of painterly symbolism rather than with a photographic realism as has been usually supposed.
Museums and Photography combines a strong theoretical approach with international case studies to investigate the display of death in various types of museums-history, anthropology, art, ethnographic, and science museums - and to understand the changing role of photography in museums.
Museums and Photography combines a strong theoretical approach with international case studies to investigate the display of death in various types of museums-history, anthropology, art, ethnographic, and science museums - and to understand the changing role of photography in museums.
Culture and Consensus, first published in 1995 and a revised edition in 1997, explores the history of the relationship between politics and the arts in Britain since 1940, and shows how the search for a secure sense of English identity has been reflected in official and unofficial attitudes to the arts, architecture, landscape and other emblems of national significance.
Culture and Consensus, first published in 1995 and a revised edition in 1997, explores the history of the relationship between politics and the arts in Britain since 1940, and shows how the search for a secure sense of English identity has been reflected in official and unofficial attitudes to the arts, architecture, landscape and other emblems of national significance.
Psychoanalysts have long been fascinated with creative artists, but have paid far less attention to the men and women who motivate, stimulate, and captivate them.
